by The People’s Minister of Information JR
Sly and the Family Stone are some of the architects of Bay Area-based funk music and, for that matter, Bay Area hip hop, which has borrowed more than just a little bit from the funk. “Coming Back for More” is an excellent documentary that looks at the life and musical rise of the legendary Sly, who started his musical career as a radio personality on the KSOL.
M.O.I. JR: Out of all of the people who had a major impact on American music, what made you pick Sly as the subject of your documentary?
William Alkema: The first time I heard Sly’s music was in 1993. When I heard he disappeared and not many people of my age knew his music, I started searching and decided to film the process.
M.O.I. JR: How did you decide what in Sly’s life was relevant to the documentary? What are some of the things that you left out?
William Alkema: A lot has been left out, and there is also a lot of new footage. It’s really hard to make decisions when you have so many hours of footage. You know, every story that was told was interesting and cool, but you have to make decisions – and then there are things you have to mention.
The most difficult thing is there is a dark side that, even when it is a small part in the movie, gets a lot attention. I think it’s important to focus on the music and the way he works – or worked.
M.O.I. JR: The film, at times, concentrated on the filmmakers trying to catch up with the elusive Sly in Los Angeles for a possible interview. Did that ever happen after the film was completed?
William Alkema: Yes, Sylvester and I became friends. The twins did finally meet him in 2006. I filmed a couple interviews with Sly; one is in the version that will be screened.
M.O.I. JR: How have funk enthusiasts responded to the film?
William Alkema: They all love it. Sometimes people think that the focus on the twins trying to catch up with Sly is a bit like stalking. In my opinion, it tells something about the love people have for Sly’s music which makes them do too much, like all fans and groupies do.
M.O.I. JR: How do you think that you being a white European filmmaker changed your perspective on this Black artist in America?
William Alkema: It changed a lot about my thoughts of the U.S. I was quite naïve. I thought there was no barrier between Black and white in the U.S. Sly learned me a lot. The focus should be on what brings unity.
Unfortunately, you see that Black musicians from the ‘50s, ‘60s, ‘70s eras have been used a lot by managers. They had a difficult road to success. Sly had the amazing power to stay focused on positivity even in tough times. It’s easy to believe in the American dream, but for a lot of people it is still a dream. Sly lived it.
M.O.I. JR: How long has this film been out? And what are your future plans with it?
William Alkema: We are working on a DVD release, but we need funding to make it happen. There is a lot of interest from major TV stations in the U.S. I expect we will make it happen.
M.O.I. JR: How do you feel about your documentary being selected to be screened at the San Francisco Black Film Fest?
William Alkema: I’m humble. San Francisco was Sly’s home town for years and the place where his parents lived. I hope the people who are going to watch the film also see the respect we have for Mr. Stone.
M.O.I. JR: How do people keep up with the film?
William Alkema: We have a Facebook page, https://www.facebook.com/pages/Sly-Stone-Documentary/183589418346381, and there is a website, www.slystonedocumentary.com.
The People’s Minister of Information JR is associate editor of the Bay View, author of “Block Reportin’” and filmmaker of “Operation Small Axe” and “Block Reportin’ 101,” available, along with many more interviews, at www.blockreportradio.com. He also hosts two weekly shows on KPFA 94.1 FM and kpfa.org: The Morning Mix every Wednesday, 8-9 a.m., and The Block Report every other Friday night-Saturday morning, midnight-2 a.m. He can be reached at firstname.lastname@example.org.