Tag: African American Art and Culture Complex
Board of Supervisors president and candidate for mayor London Breed is urging first-time voters to register for the upcoming June 5th election. Sunday, she hosted a rally for her #500forLondon voter registration drive, which coincided with the grand opening of her Bayview campaign office. “We need to make sure that every eligible San Francisco voter has a voice in this election,” said President Breed to a throng of supporters.
We all love to spend money, but how many of us have learned how to effectivily save for a rainy day, college, a business or retirement? Many of us have spent more time watching TV in our lives than planning for our family’s financial future. Many of us don’t like to talk about these things because we’re embarrassed we don’t know much about financial literacy, investing and saving money properly. Check out financial advisor Kendra Willis in her own words.
Nobody did London Breed any favors at Tuesday’s board meeting. Not the supervisors who swept her out of the mayor’s office that had been given to her by the city charter and not Ron Conway and the big money boys whose overly aggressive support was the screen the supervisors hid their racism behind. So London heads into the June election owing nothing to anybody, only the people of San Francisco, including the most needy. We can win it and we will! Join us soon at the London Breed for Mayor campaign headquarters. Endorse London on her website, www.londonformayor.com, and contact her campaign by email at firstname.lastname@example.org and phone at 415-LONDON1.
For 62 years, the San Francisco African American Historical and Cultural Society has been one of the leading voices promoting Black history and the contributions of African Americans both nationally and locally. The 2018 Black History Month theme is “African Americans in Times of War: A Resilient Spirit.” The kickoff celebration will be held in the San Francisco City Hall Rotunda on Friday, Feb. 2, at 12:00 noon.
What I loved this year was all the celebratory dancing from just before our ancestors crossed into the unknown territory to landing on these shores and celebrating life and the possibility of freedom, which remained physically just beyond reach for centuries. In small steps as we regained agency over ourselves, even if our bodies then and now continue to be exploited, liberation was a bit sweeter.
This Maafa Commemoration Month we continue to lift “A Love Supreme” as we organize a defense against state violence. Congratulations to Professor Aaliyah Dunn-Salahuddin, whose community vigil and program honored the lives of the Bayview Hunters Point revolutionaries killed 50 years ago when the community rose up after SFPD killed Matthew “Peanut” Johnson and more recently when the community turned out after SFPD killed Mario Woods.
Eugene E. White opened the first Black-owned art gallery in San Francisco in 1963, and he still runs it in the Fillmore over 50 years later. His work depicts realistic experiences and expressions of Black people. On Sunday, July 10, San Francisco celebrates Eugene E. White Day, honoring the renowned and revered local artist, educator and entrepreneur, at the African American Art and Culture Complex, 762 Fulton St., from noon to 5 p.m.
This year at the San Francisco Black Film Festival, “Codigo Color, Memorias” is one of the internationally made jewels that will be exposing the Bay Area to the issue of colorism in Cuba. “Codigo Color, Memorias” will screen on Saturday, June 18, at the African American Art and Culture Complex. I sat down with the filmmaker, William Sabourin, for an exclusive Q&A about his informative and perfectly timed film. Check him out in his own words.
BlockReportRadio.com interviews the father of Gangsta Rap, Jalal “Lightening Rod” Nuriddin of the Last Poets, about his classic piece, “The Hustlers’ Convention.” He speaks all around the world, with some of his answers touching street knowledge, the history of the ‘60s poets, Rap history and more. “Hustlers’ Convention,” the documentary, screens Saturday, June 18, 6 p.m., at the African American Art and Culture Complex.
When I first heard the statement that “The Black Woman Is God,” it wasn’t new or spooky to me, because I grew up in a family with over a hundred members and everyone knew that my grandmother’s say was the final one. She was the family’s guide or god. I talked with “The Black Woman Is God” exhibit’s cofounder Karen Seneferu about this year’s show and the concepts and history behind this very important annual art show in the Bay.
The memorial for Hugo “Yogi” Lyon Antonio Pinell was a beautiful and monumental event that loved ones, comrades and the community came from far and wide to attend. The celebration was held at the African American Art and Culture Complex in San Francisco’s legendary Fillmore district on April 23. Many members of Yogi’s family spoke of their love for him. His daughter Allegra brought the house to tears with her message.
On Aug. 12, 2015, within the walls of New Folsom Prison, freedom fighter and political prisoner Hugo “Yogi” Pinell of the San Quentin 6 was assassinated on the prison yard by members of the Aryan Brotherhood, with the assistance of the guards. Seven months later, the community who loves him is coming together to remember his life and contribution to the Black struggle for self-determination and human rights. We will be celebrating his life on Saturday, April 23, 1-5 p.m., at the African American Art and Culture Complex, 762 Fulton St. in San Francisco. Any and everybody from the community is invited.
“My dream was to develop a new color that no one had ever seen in life. It hasn’t come true yet, but that was a dream of mine when I was a little girl,” says Bay Area muralist Edyth Boone in the documentary about her life, called “A New Color: The Art of Being Edythe Boone.” It screens on April 6, 5:15 p.m. at Holy Names University, 3500 Mountain Blvd., Oakland, as a part of the Oakland International Film Festival.
The San Francisco African American Historical and Cultural Society will launch the 2016 annual Black History Month kickoff in the Rotunda at City Hall on Friday, Feb. 5, 2016, at 12 noon followed by a reception in the South Light Court. John William Templeton, Oxford University Press historian, will address the national theme, “Hallowed Grounds: Sites of African American Memories.”
It is amazing how time flies whether one is moving or standing still. One looks up and sees, suddenly it seems, friends celebrating 70 and 75 or 80 or even 90-plus milestones. Wow! What a blessing that is. And while we also see the fullness of time’s passage in the lives of those who have decided to move on, too often we are caught by surprise, our mouths hung open, the words we could have said … deeds left undone.
The film is in French with English subtitles and is set primarily in France, beginning in 1963. Two children from Reunion Island, a French colony that lies east of Madagascar in the Indian Ocean, were among 1,600 children from the island brought to France for forced adoptions by farmers to repopulate the countryside. Their mother gave them to a white couple who promised her they would make them doctors but in the end enslaved them.
In the documentary “Farming a Legacy,” I learned that since the Emancipation Proclamation, one of the biggest fights that Blacks have had in this country was and is to own and retain farmland. In the 1920s, there were 1,000,000 Black owned farms in the United States. By 2013, that number had dropped to 18,000. “Farming a Legacy” is a majestic cinematic look at the day to day life and family history of a third generation farmer named Dale Jones.
The 38-minute short film “Hagereseb” is a rare cinematic treat, and it will be making its Bay Area debut during the San Francisco Black Film Festival on Saturday, June 13. It is not a foreign film but has the feeling of one because it is about two 10-year-old second generation Eritrean friends, who live in the Yesler Terrace housing project in Seattle, Washington, which was built in the ‘40s as the first integrated housing project in the U.S.
Queen Njinga Mbandi of the Ndongo people is a legendary as well as charismatic figure in the pantheon of African world leaders and freedom fighters against colonialism. Screewriter Isilda Hurst and director Sérgio Graciano brought this legendary matriarch to life in a beautiful cinematic way with their new film, “Njinga: Queen of Angola,” a masterpiece for anyone interested in African history, foreign cinema and good movies in general.
Given the trajectory of 2014 regarding Black lives, perhaps February would be a great time to reflect on what bell hooks calls “the love ethic,” a principle Dr. King embodied and preached. Langston Hughes would have been 116 on Feb. 1 (his mother, Carrie Langston, was born Jan. 22, 1873). Albert Woodfox will be 68 on Feb. 19. Hopefully he will be eating cake under some sunny sky, a freed man by then.
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