Tag: Ajuan Mance
“Afro-Futurism: Envisioning the Year 2070 and Beyond” reflects and builds upon African American history. The art exhibit challenges us to cherish and critique the moment. By placing African Americanism into the year 2070, the artwork and statements visualize a future to look forward to. So how will African Americans/Negroes/Blacks define the world in 2070?
I met Ajuan Mance at a function at the San Francisco Main Library, where she had a table displaying her sketches of the many faces of Black men. She was protesting the objectification of the Black male image in the media, while at the same time capturing the natural wild beauty of the Black man. Ajuan’s elegant pen work is second to none. Check this interesting local artist out in her own words ...
“The Black Woman Is God” exhibit examines and questions the idea of seeing the Black woman as a God figure. Artists use materials, forms and iconography that challenge the belief that the image of God is white and male. The exhibit can be seen at the African American Art and Culture Complex at 762 Fulton St. in San Francisco until May 30, Tuesdays through Saturdays from noon to 5 p.m.
When the Occupy San Quentin rally ended, San Rafael police followed us to the Richmond Bridge. I don’t know if it was Jabari Shaw’s orange CDCR jumpsuit that kept them wondering – Is he an escapee, one of ours? – or if it was the sheer magnitude of fearlessness represented by women like Kelly, a former prisoner who would not let her traumatic experience silence her. One brother got so full looking at the guards on the other side of the gate watching that he looked like he was going to leap the gate and hurt someone as he recalled the violations of his person over and over again. Members of All of Us or None dropped everything to embrace him when he left the stage.