
October is Maafa Commemoration Month. The term Maafa refers to the Black Holocaust, that period when African people were stolen and traded in the greatest, most widespread cooperative economic venture to date, which resulted in the displacement of human beings as commodities. The Kiswahili term Maafa extends that definition of loss and trauma, that is, PTSD or post-traumatic slave syndrome – the flashbacks, both conscious and unconscious, reoccurring instances of the atrocities 150 years after the end of slavery which have direct association to the brutality of chattel slavery.

Tuesday, Aug. 16, 2011, was the opening of August Wilson’s play, “Seven Guitars,” directed by Kent Gash, at the Marin Theatre Company. I hadn’t seen the play in about 15 years. Wilson was alive then and he was work-shopping his latest – play five in the eventual 10-play cycle – at ACT-SF with the Lorraine Hansberry Theatre in a co-production.

The Maafa Ritual begins before dawn on Sunday, Oct. 11, about 5:30-6 a.m., at Ocean Beach on the Great Highway at Fulton Street in San Francisco. Invited are Black people interested in honoring our ancestors who perished in the European Slave Trade and its aftermath via colonialism and other forms of genocide like incarceration, terrible occurrences or reoccurring disasters felt today. Maafa Awareness Month was founded and has been organized by Bay View Arts Editor Wanda Sabir for 11 years.