Tag: Black Panther
On Tuesday, Aug. 21, the first day of the historic National Prison Strike, Democracy Now interviewed Amani Sawari. The segment began with an excellent interview with Cole Dorsey of IWOC and then suddenly the bright, brilliant, radiant face of 23-year-old Amani filled the screen and a voice of eloquence, inspiration and power filled the room. All it took was host Amy Goodman saying she’s a journalist, and, involuntarily, spontaneously, I pointed at the screen and shouted, “There’s the new Bay View editor!” Amani and I have been talking ever since, and she came to visit Oct. 8-12. What fun we had.
As we know who read the Bay View newspaper, Bay View is one of the baddest grassroots newspapers on the planet. Now just think for one fleeting moment that the Bay View news did not exist or was taken away. I feel yo’ soul; it’s not a pretty picture. Of course, we must do our share to support this great grassroots Bay View news, but we must start demanding of those we support that they must support us by any means necessary.
Introduction: Kiilu Nyasha, Black Panther veteran, revolutionary journalist and mother of every movement, joined the ancestors on April 10, and just three days later, Bay View Arts Editor Wanda Sabir opened the phone lines on her morning radio show for tributes to our revered comrade. To listen to the entire show, go to http://www.blogtalkradio.com/wandas-picks/2018/04/13/wandas-picks-radio-show-special-tribute-to-kiilu-nyasha or listen here. – Editor
The Matatu Film and Concert series is one of many dynamic film festivals that call the Bay their home, but its most unique quality is that it highlights filmmakers from Africa and the diaspora outside of the U.S., as well as covers subjects that are important to how we see ourselves, and how we see the world. Michael Orange, the Matatu curator, has exquisite taste in cinema. Here is our back-n-forth about what Matatu has in store for May.
I watched two Black Panther movies today: “Panther,” the one put out by Mario and Melvin Van Pebbles in 1995 and, in my opinion, prematurely discarded from theaters, and the new one by Marvel, “Black Panther.” Angela Bassett stars in both films and the span of 23 years has not cracked her beautiful Black! if you liked “Black Panther,” I encourage you to revisit “Panther,” which has a lot of strong on-point performances.
I’m writing this editorial because I want to brag on my husband, Bay View publisher Dr. Willie Ratcliff, and tell you why he and I have faith that a benefactor, someone with deep pockets who cares, will step forward in time to save the Bay View and keep it in print – an angel who understands how much the Bay View means to a prisoner being tortured and a youngster in the hood being framed. Dr. Ratcliff was that angel, that benefactor, to Gladys Knight in 1975, when she ran out of money in the midst of producing a major film in Valdez, Alaska called “Pipe Dreams.”
Black Panther in a nouveaux peacock chair making deals with the CIA! I am like hold up?! Are you out of your mind? This must be a slapstick thrown in to distract and confuse the audience who do not know their history and who probably believe it’s OK to share secrets with the U.S. government. Like Okoyo, the CIA is all about meddling in international affairs that threaten white supremacy and its economic and military dominance. Wakanda has a seat in the U.N. Council.
Hollywood films should always come with a consumer health warning to people of African descent: “Beware of ‘The Ideology of the Aesthetic,’ as Terry Eagleton would put it.” With all the hype, “Black Panther: Long Live the King” falls under this manipulative ideological warfare genre and should have been subtitled, “Down With the King,” for subscribing to what Wole Soyinka would dismiss as the pseudo tradition of neo-Tarzanism.
The most revolutionary aspect of the film “Black Panther” is the mere fact that it showcases the beauty, history, relevance and capability of being simply Black and proud. I relate this strongly with the stigma many Black Americans have towards Africa, mainly visible in the lack of interest in visiting the vast continent of 54 countries. Moreover, the plague of insecurity that rests in Black people with their appearance and desire to look more European.
Coogler’s “Panther” has a terrible counter-revolutionary message. It's overall politic message tells you that since you cannot be the Black Panther character, king of Wakanda, you can be a CIA agent like T’Challa’s right hand man. But before I get into that, let me tell y’all what I think is great about this box office record breaking Disney-Marvel film. The cinematography is phenomenal. The costumes and the colors are on another level. The sets are beautiful.
Shanequa Jenkins never wanted nothin’ to do with Africa. When her roommates would demand that she turn off “Love and Hip Hop” so they could watch “Hidden Colors,” she would just storm out the room calling them “Hotep Hoes” under her breath. So, it shocked her roomies when two hours before the “Black Panther” premier she was waiting at the front door in a brand new dashiki with matching Red Bottoms and Coach Bag yellin’, “Y’all ain’t ready to go, yet!?”
“Black Panther” follows T’Challa/Black Panther’s journey, in the aftermath of his father’s death, to lead his technologically advanced nation, Wakanda, which the world believes is impoverished. Featuring Black actors from the United States, England and various parts of Africa, “Black Panther” is the first Marvel film set in a Black-ruled nation. As such, the film challenges the negative stereotypes in which the world typically views African nations.
“Prison abolition is different from penal abolition. We don’t just want to get rid of the structures; we want to get rid of the whole system that functions to destroy people,” said Ashanti Alston, Black Panther and penal abolitionist. POOR Magazine had the blessing of listening to Ashanti and many more freedom fighters at the 17th International Conference on Penal Abolition held in New Bedford, Mass.
“Hello, we are representing Black, Brown, First Nations and homeless peoples on a Stolen Land Hoarded Resources Tour to share the medicine of redistribution and community reparations.” Aunti Frances Moore, Black Panther, founder of the Self-help Hunger Program of North Oakland and houseless poverty scholar with POOR Magazine and Homefulness, spoke into the security intercom on 745 Park Ave., the first tour stop of the first tour in Lenape Lands of Eastern Turtle Island aka Manhattan.
The Alabama Department of Corrections (ADOC), specifically W.C. Holman Correctional Facility, has openly declared war against the SF Bay View National Black Newspaper. The administration of this prison has informed me that your newspaper is no longer allowed in this prison because your paper is “racially motivated.” I’m going to fight with all my might in protest by going on a hunger strike until they lift this racist, ignorant and illegal ban prohibiting the SF Bay View National Black Newspaper from coming into this prison and/or prison system as a whole!
Pastor Kenneth Glasgow was one of roughly 500 people who convened in Oakland, California, last weekend for the first national conference of the Formerly Incarcerated, Convicted People and Families Movement. Hailing from more than 30 states, it was a shared fact of life among participants that the change they need – including fundamental civil rights – will not simply be handed to them by people in power. They must fight for it themselves.
While two heavily armed police officers stood directly across the street watching us, a group of the most impacted, unhoused, criminalized, injured, disabled, Black, Brown, Trans and Indigenous peoples gathered to demand a 90-day moratorium on the killing of our Black, Brown, disabled and unhoused residents of this city and all cities struggling with the ongoing murder of our children, youth, elders and families.
She was born Alice Faye Williams in the dusty little town of Lumberton, North Carolina, on Jan. 10, 1947, a dimpled little Black girl, who grew into a petite young revolutionary known as Afeni Shakur, mother of a young rap icon and actor, Tupac Amaru Shakur. Like many country people – and far too many Black people – she looked down on herself for years, as not smart enough, not pretty enough – you know: too Black. Afeni Shakur, after 69 springs, returns to the infinite.
BlockReportRadio.com interviews former Black Panther political prisoner Albert Woodfox of the Angola 3 about his case, his over four decades in isolation, his life as a Panther political prisoner and his release. Finally, Albert Woodfox can join forces with other freedom fighters, here with Minister of Information JR and Arthur League at the Malcolm X JazzArts Festival in Oakland on May 21, 2016. To learn more about Albert Woodfox, visit the Angola 3 website, http://angola3.org/.
By ourselves, we disenfranchised Haitians took down the fake elections and U.S. puppet president, Michel Martelly. He left on Superbowl 50, Feb. 7 – the day Beyoncé set off a politically charged “Formation,” unapologetically Black. America’s most powerful artist dressed her dancers in Afros and Black Panther leather outfits and got in (Malcolm) X formation, Black fists raised up. Banm sèt kout kouto – bring it! she said.