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Posts Tagged with "Chiwetel Ejiofor"

Troubled legacy: a review of Nate Parker’s ‘Birth of a Nation’

October 14, 2016

Perhaps the reason why Nat Turner is almost completely buried within documented and oral histories is connected to the fear his rebellion caused in the Southampton and by extension the Southern antebellum community. Nate Parker’s “The Birth of a Nation” visits this story as Donald Trump draws a white male constituency very much in keeping philosophically with the angry mob who tear the flesh from the iconic Prophet Nat Turner’s body.

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‘Selma’: Unexpected bounty

January 12, 2015

I’ve finally seen “Selma” and can report it is a proper civil rights movie. By that I mean it takes few chances either thematically or aesthetically. The icons remain intact and the movement free from revisionist recriminations. This cautious strategy is understandable in a risk-averse Hollywood. Although boxed in by those kinds of commercial expectations, “Selma” delivers even more than it should.

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‘12 Years a Slave’: What happened to slave rebellion?

March 14, 2014

“12 Years a Slave,” the story of a free Black man kidnapped by slave traders, has won an Oscar for Best Picture of the Year and a slew of other awards. But in one important respect, the movie comes up short. Missing from the film is the slave rebellion and revolt that Solomon Northup portrayed so vividly in his book.

‘12 Years a Slave’

December 4, 2013

“12 Years a Slave” affected me differently than Quentin Tarantino’s “Django,” which in its caricature style held me spellbound or suspended in a place of imaginative wonder – the Black man was going to win and get the girl too in the end. “Twelve Years” moved slowly and by the time Northup’s ordeal ends we are thankful yet exhausted. I saw the film alone. I think it’s the kind of journey one should invite a companion on.

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White people, run, don’t walk to ‘12 Years a Slave’

November 29, 2013

I’m not sure which knife-point of ancestral trauma in the new movie “12 Years a Slave,” based on Solomon Northup’s autobiography, caused me to crumple into a paralyzed ball on the floor. I am not sure when I became unable to breathe or even see straight while watching the continuous acts of graphic genocide, racist hate, hegemony, brutality and oppression filter across the movie screen.

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