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It’s all about the ancestors, believe it or not. The invisible realm controls the outer. Those who believe in magic are in touch with reality – a truth, the initiated, those beings open to a creation story they participate in. Life is a collection of unedited stories; the end of a chapter does not mean the end of the book. With that said, the MAAFA Commemoration is upon us once again, celebrating its 23rd anniversary.
Ayodele Nzinga’s “Mama at Twilight: Death by Love” is a haunting look at a family crippled by circumstances. How does a man prepare for adult responsibilities when his father is nowhere around? When a young Marie-Rose meets Mario Jefferson at 15 doing community service at her father’s church, she knows he is the man she wants to spend her life with. Three grown children later, Mama still loves the man she fell in love with and has no regrets over its costly price or the raised eyebrows and whispers that sought to sanction her.
Actor Dameion Brown, playing the title role in the Marin Shakespeare Company’s production of “Othello,” is getting standing ovations since the production started. Still in previews, Brown has with this role seen a dream come true. Since the MSC production of “Othello” opened Aug. 26 for previews, we learn that Brown is a formerly incarcerated or convicted person (FICP), just released after serving 23 years of a life sentence.
August Wilson is considered one of America’s greatest playwrights, and the work that comprises The American Century Cycle, one of the outstanding achievements of the modern theater, is performed across the globe. But only Oakland’s premiere North American African theater company has performed the entire Cycle in chronological order. The Lower Bottom Playaz close the cycle with the timely production of the only play in the cycle that is told from the lens of developers. Wilson’s Hill District in Pittsburgh, Penn., and Oakland, Calif., 2015 hold a lot of common ground. “Radio Golf” continues through Sunday, Jan. 3, 2016, 2 p.m., at the Flight Deck, 1540 Broadway, Oakland.
August Wilson is considered one of America’s greatest playwrights, and the work that comprises The American Century Cycle, one of the outstanding achievements of the modern theater, is performed across the globe. But only Oakland’s premiere North American African theater company has performed the entire cycle in chronological order. Don’t miss the final installment of The Lower Bottom Playaz’ American Century Cycle Project.
It is amazing how time flies whether one is moving or standing still. One looks up and sees, suddenly it seems, friends celebrating 70 and 75 or 80 or even 90-plus milestones. Wow! What a blessing that is. And while we also see the fullness of time’s passage in the lives of those who have decided to move on, too often we are caught by surprise, our mouths hung open, the words we could have said … deeds left undone.
The Matatu Festival of Stories is in full swing this week, with opening night dinner at Miss Ollie’s featuring Saul Williams, Donte Clark and Bryant Terry. Some of the upcoming activities of the festival are the Thursday night concert featuring neo-soul musician and producer Shafiq Husayn, the Friday night showing of a documentary about Ethiopian musician and thespian Asknaketch Worku, as well as Saturday’s performance by the Alonzo King Lines Ballet.
Eritrean born and Oakland raised visual artist Mahader Tesfai has been making a considerable amount of noise around the Town lately, first with his 80 piece installation at the Omi Gallery in downtown Oakland, then by becoming the artistic director of the Matatu Festival of Stories, which is happening next week. Mahader sat down wit’ me exclusively to talk about Black African art in the Tech Era coming out of Oakland.
August Wilson’s largest message is to remember. He insists we remember our song, that we do our duty to life by remembering we were born free with dignity and everything. He is a Sankofa playwright capable of making the past come to life in the present. His methodology a metaphor for remembering you must look back to move forward successfully; if you drop the ball, you’ve got to go back to get it to be successful in the end zone.
Congratulations to Gerald Lenoir for carrying the torch and blazing the way for so many social justice issues from HIV/AIDS awareness in the Black community to his recent work in just migration for Pan Africans. Much success on your new work! Farewell to Alona Clifton and much success in Atlanta. Congratulations also to Almaz Negash, founder and director of African Diaspora Network in Silicon Valley for her national recognition and award at the Continental African Leaders Summit in Washington, D.C.