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Hollywood films should always come with a consumer health warning to people of African descent: “Beware of ‘The Ideology of the Aesthetic,’ as Terry Eagleton would put it.” With all the hype, “Black Panther: Long Live the King” falls under this manipulative ideological warfare genre and should have been subtitled, “Down With the King,” for subscribing to what Wole Soyinka would dismiss as the pseudo tradition of neo-Tarzanism.
Finally, a filmmaker has come to the forefront to confront the identity question in the post-Obama Trump era. Filmmaker Mtume Gant beautifully asks pertinent questions about what it means to be Black in today’s times in his 20-minute short, an official SF Black Film Festival selection called “White Face.” This political satire, an artsy, comedic drama, is a must see for all the politically minded readers out there. Check out the genius of filmmaker Mtume Gant in this exclusive Q&A.