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Death came to the old revolutionary - put out what was left of his cigar - leaving him his military cap - so they would not place laurels - that would bother him. It is no little thing to confront the empire - & survive its rage of a mad dog - from which a bone is taken. Oh Cuba of the bitter history, - of palms, dances, songs, - of the drums of Alegba and Yamayá, - of the cane made sweet by blood and sweat - mourn and remember, sing, dance, work - for justice and never return to slavery. © Rafael Jesús González 2016
This article was prompted by the unrelenting campaign by friends and associates of the late Dr. Walter Rodney, to maintain the false accusation that Forbes Burnham ordered Walter Rodney’s assassination. Many of these academics and commentators are not Guyanese and do not fully understand the circumstances in 1980 that led to Walter Rodney’s demise. The adage, chanted by Bob Marley, that “half the story has never been told” is 100 percent correct.
I spent a week in Harlem for the Centennial Celebration of the Hon. Marcus Mosiah Garvey’s Universal Negro Improvement Association-African Communities League (UNIA-ACL), an organization that looked at Africans separated through the institutions of slavery and colonialism, both global systems of exploitation of people, goods and environments.
“Motown the Musical” is a wonderful story of a man’s ability to take a dream and, with the support of first his family and secondly his community – in this case, artists in Detroit, Michigan – see the vision through to its fruition. Berry Gordy Jr. decided to open his own music company, Motown, a company that put Black music on the map and provided the bridge between mainstream white America and the parallel nation Black people occupied, but not for long.