December 29, 2016
It is very important that you all clearly understand the depth of human torture to which I was subjected for 30-plus years by CDCr and CCPOA.* The torture was directed at me and similarly situated women and men prisoners held in California’s solitary confinement locations throughout CDCr, with the approval and sanctioning of California governors, CDCr secretaries and directors, attorneys general, along with the California Legislature for the past 40 years.
January 29, 2015
As the nation celebrates Martin Luther King Jr.’s 86th birthday, we are immersed in an intensive, often divisive conversation about race in America. Sixty years after King marched through the streets, as he did in Selma and cities throughout the South, we find ourselves still on the streets battling many of these same issues. My concern is that we are too narrowly focused. We need to make sure we battle this issue of race on all fronts.
January 12, 2015
I’ve finally seen “Selma” and can report it is a proper civil rights movie. By that I mean it takes few chances either thematically or aesthetically. The icons remain intact and the movement free from revisionist recriminations. This cautious strategy is understandable in a risk-averse Hollywood. Although boxed in by those kinds of commercial expectations, “Selma” delivers even more than it should.
December 4, 2013
“12 Years a Slave” affected me differently than Quentin Tarantino’s “Django,” which in its caricature style held me spellbound or suspended in a place of imaginative wonder – the Black man was going to win and get the girl too in the end. “Twelve Years” moved slowly and by the time Northup’s ordeal ends we are thankful yet exhausted. I saw the film alone. I think it’s the kind of journey one should invite a companion on.
November 29, 2013
I’m not sure which knife-point of ancestral trauma in the new movie “12 Years a Slave,” based on Solomon Northup’s autobiography, caused me to crumple into a paralyzed ball on the floor. I am not sure when I became unable to breathe or even see straight while watching the continuous acts of graphic genocide, racist hate, hegemony, brutality and oppression filter across the movie screen.