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When NFL owners look at out-of-work quarterback Johnny Manziel, they see themselves. Or at least they see their ne’er-do-well son or nephew: the one who was raised in cushy wealth, partied too hard, maybe got in a few legal misunderstandings with the girls, but deep down is a “good boy” and always worthy of a second chance. Playing ability isn’t even part of the conversation. They want him in their club. When NFL owners look at out-of-work NFL quarterback Colin Kaepernick, they see a threat.
When FBI director James Comey dropped a propaganda bomb that blew up the 2016 presidential election and probably changed how the U.S. will be governed for some time to come, he wasn’t acting for the Russians. Comey wasn’t acting as an individual rogue actor either. He was acting in the tried and true tradition of the FBI as a political police agency that uses its authority – legally, illegally and effectively – to intrude into the political processes of our country. One hallmark of what we like to think of as our great democracy is the separation of the police and military from our political processes.
Her name was Eslanda Cardozo Goode Robeson, and she was brilliant! But what is perturbing is that evidence of her enormous body of work as a photographer has vanished, as though she did not exist! But exist she very much did indeed! Eslanda Robeson lived and made an impact in the world. She was a writer, storyteller, intellectual, adventurer, scientist, anthropologist, political analyst, artist, anti-colonialist activist and a woman of principle.
In classic Fox form, the interview with me would not be about the case or about the appointment of Adegbile. In the end, the point of the segment was for Fox to call Mumia “a thrice-convicted cop killer” as many times as possible, and to associate that with Debo Adegbile so as to strategically energize a right-wing agenda against the gains of the civil rights movement – following the same pattern as in their successful campaign to decommission Van Jones.