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“12 Years a Slave” affected me differently than Quentin Tarantino’s “Django,” which in its caricature style held me spellbound or suspended in a place of imaginative wonder – the Black man was going to win and get the girl too in the end. “Twelve Years” moved slowly and by the time Northup’s ordeal ends we are thankful yet exhausted. I saw the film alone. I think it’s the kind of journey one should invite a companion on.
I’m not sure which knife-point of ancestral trauma in the new movie “12 Years a Slave,” based on Solomon Northup’s autobiography, caused me to crumple into a paralyzed ball on the floor. I am not sure when I became unable to breathe or even see straight while watching the continuous acts of graphic genocide, racist hate, hegemony, brutality and oppression filter across the movie screen.