Tag: modern day slavery
Palestinians confined in Israel’s brutal prisons issued a statement of solidarity on Aug. 20 with the National Prison Strike in the U.S. Members of the Popular Front for the Liberation of Palestine expressed the utmost support for their sisters and brothers jailed in this country’s horrific system of mass incarceration who courageously launched a nationally coordinated protest against their imprisonment and the oppressive conditions they face. For bravely carrying out this act of international solidarity and other acts of defiance, Israeli prison officials retaliated against imprisoned PFLP leaders on Aug. 29.
A new documentary film directed by Robert “Fleetwood” Bowden entitled “Zephaniah” will be out soon; it is based on embracing the responsibilities of fatherhood and the joy that comes with the journey. In the project, Fleetwood will take an in-depth look into the relationship between a father and his toddler daughter. He will also explore why so many fathers abandon their children and how the system plays a part in separating households.
Today as I write this article I am sitting in one of Alabama’s prisons looking around at the many lost, confused and content slaves who occupy the overcrowded slave quarters called Alabama Department of Corrections. The task that I, Brother Ra Sun and Kinetic Justice have before us is to convince these brothers on today’s modern day plantations; they are still slaves, made applicable by the 13th Amendment of the United States Constitution, and are contributing to their enslavement. Unfortunately, I’ve yet to find the best way to do that.
As was once said to me by a fellow Muslim brother when I embraced Islam, “If you can take that same intensity that was applied to gangbanging and apply it to Islam, you will become a great Muslim.” Well, it’s the same for this fight we have on our hands induced by this modern day slavery in Texas. NOW, people, is the time to break these chains. We as a people who are aware must spread the word to the unaware and awaken society on what’s taking place in the Texas Department of Criminal Justice.
Thank you for being patient with my absence and the new method of my way in reaching out to you to discuss what we are attempting to accomplish. First and foremost, I thank God for giving us a platform to be heard to alleviate or mitigate the number of unheard voices in our concrete jungles across Alabama. People ask me, “Why do you do this? Are you a rebellion junky?” I say, “No.” This is about the men around me and the women and children incarcerated in this state and country.
Though few Americans know it, the exception clause in the 13th Amendment makes a person a slave when they are convicted of a crime and sent to prison. I know that former President Barack Obama, a constitutional scholar and a Black man, understands this. I applaud his efforts to address issues of mass incarceration. I understand the symbolism of his visit to a federal prison, the only American president to ever do so. These were important first steps, but there is a long road ahead.
The people who organized the country’s biggest prison strike against what they call modern-day slavery have planned their next target: corporate food service giant Aramark. The $8.65 billion company is one of the country’s largest employers and serves food to more than 100 million people a year. It also provides meals for more than 500 correctional facilities across the country and has been the subject of complaints about maggots and rocks, sexual harassment, drug trafficking and other employee misconduct.
The Texas Board of Criminal Justice, which oversees Texas Correctional Industries, the prison industry division within the state’s Department of Criminal Justice, has authority over how much compensation inmates working for the state receive for their labor. Currently, inmates working for TCI are not paid for the work done while serving their time; the only inmates who are paid anything are the small fraction who are employed by TCI’s private sector prison industries program.
I’ve learned to use the term “visual language,” meaning I try my best to let my art creations speak to the people in a way they’ll feel and deeply understand intuitively just by viewing it. I really hope you like this composition. This art is simply titled “Help Me,” being a composition. You can see everything in it is arranged in relation to each other, especially the pain we endure as people of color.
After winning their freedom in the bloodiest conflict in U.S. history, Blacks were in many cases and places denied basic human, civil and political rights, literally forcing New Afrikans back into slavery by denying them a right to life. Over the years the government declared and waged war on the New Afrikan communities - war on unemployed "vagrants,' war on crime, war on drugs, war on gangs - culminating in mass incarceration.
CDCR deliberately lied about their implementation of the Security Threat Group Step Down Program sanctioned by Gov. Jerry Brown. Gov. Brown and CDCr administrators are currently violating our United States constitutional rights, the California Code of Regulations and other rules, laws, policies and standards with the intent of breaking down and destroying men and women prisoners, family bonds and moral ethics here in California.
Shouting “Inside, outside, we’re all on the same side” and “Here comes Oakland,” five full buses and two vans left Oakland to meet up with marchers from as far away as Portland and Seattle who had already arrived at plantation San Quentin for one of the largest anti-slavery rallies in California history.
They shoot us, then display us as looters. / Then they bring in the U.N. and the rest of the U.S. friends, / Blackwater forces who now go under the new name Xe, / Who, like a fatal disease, once they get in, they don’t / Never plan on leaving. ... / Haiti! The land of my brotherman … and sister woman, / The ones that kicked Napolean’s ass, / The land of sugar cane and Africans, / The land in which the enslaved revolt.
The recent UNHCR Gimme Shelter campaign uses the iconic Rolling Stones song and Hollywood star Ben Affleck's video of suffering in Congo as a propaganda tool to peddle the international catastrophe of Western aid, intervention, plunder and depopulation in Central Africa.