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The important (s)election process is unfolding across the united capitalist prison terrorist states of america (ucptsa) and here in these occupied Indigenous nations. WE are working to change this deadly system that places higher profits for a few elites over the advancement of our broader population and proper stewardship of nature. Still, voters can mos def play a positive role in slowing down capitalism’s never-ending wars and destructive acts.
Robert “Fleetwood” Bowden’s “Da Cotton Pickas” is a must see documentary about how slavery did not stop with the Emancipation Proclamation. In fact, some people who were sharecropping slaves are still alive today, like Bishop Henry Williams, the subject of this monumental documentary. He worked for over 18 years and was never paid for picking cotton. Fleetwood tells a story of a historical reality with this documentary that most have never heard.
Mike “Dream” Francisco is one of the first internationally known muralists from Oakland. He was one of the founding members of TDK; a group that started off as some high school trouble makers and grew into a posse that still paints to this day – now they paint legal, commissioned murals. They started off as Those Damn Kids; now they represent the dream kontinuing.
The SF Black Film Festival is one of the film festivals that I most look forward to in the Bay Area every year. This year it is from June 12-15 at various theaters in San Francisco. It was founded by the late Ave’ Montague, and now it’s under the direction of her son, Kali O’Ray. Every year I’ve seen great films that don’t have the promotional budgets to reach a wider audience without the help of a festival like SFBFF.
Phesto Dee, a quarter of the membership of Souls of Mischief, is arguably the most vicious and complex lyricist in the whole Hiero camp. Phesto’s respect in the game has recently been documented and highlighted on the new documentary, “’Til Infinity,” which is set to premiere on April 6 at 9 p.m. at the Black Repertory Theatre, as a part of the Oakland International Film Fest.
The story of Souls of Mischief and their crew Hieroglyphics is the story of how Oakland became respected for its lyricism in a genre that was dominated by East Coast wordsmiths. It is a story told by Shomari Smith in his new documentary, “’Til Infinity,” which is about the 20th anniversary of the Souls of Mischief classic album. “’Til Infinity” will be premiering at the Oakland International Film Fest on April 6 at 9 p.m. at the Black Rep Theatre.
“African Independence,” a film that discusses true African liberation, colonialism and neo-colonialism with many of Africa’s former leaders – colonialists and revolutionaries alike – will be screened at the Oakland International Film Fest on April 6 at 5 p.m. at the San Leandro Performance Arts Theater. Check out filmmaker Tukufu Zuberi in his own words ...
Ramasses Head has been a pillar of the Oakland film scene for the last half decade at least, with hood classics under his belt like “Town Biz” and “Basketball 3:16.” Now he is premiering his new film, “Watch Phoenix Rise,” at the Oakland International Film Fest on Thursday, April 4, at 2:30 p.m. at the Grand Lake Theater and on Sunday, April 7, at 9 p.m. at the Black Repertory Group Theater in Berkeley.
Roy Agyemang is a Ghanaian filmmaker from London who recently made the documentary film “Mugabe: Hero or Villain?” an in-depth look at Robert Mugabe, president of Zimbabwe. It recently screened at the Pan African Film Fest and won an award, and it will be screening in the Bay opening night at the Oakland International Film Fest at 6 p.m. on Thursday, April 4, at the Grand Lake Theater in Oakland.
One of the best events that is held annually in Oakland is the Oakland International Film Festival (OIFF). Since 2002, thousands continue to attend the OIFF each year. Oakland filmmakers and filmmakers from around the world continue to benefit from contacts made during the OIFF. Who will be there this year? Time will tell. Until then, read the words of the founding director of the OIFF David Roach ...