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Scientists Katherine Johnson, Dorothy Vaughan and Mary Jackson, profiled in “Hidden Figures” (2016), exemplify what writer Margot Lee Shetterly calls “everyday courage,” a kind of imaginative power that filled these women – Black women, white women, invisible women – with a sense of pride and purpose even when deserved recognition went unstated. Director Theodore Melfi’s film is all the buzz.
Sunday, Oct. 12, marks our 19th Annual Maafa Commemoration. This is a time when we gather to remember our African ancestors, especially those who endured the transatlantic slave trade or the Middle Passage, the Black Holocaust. It is a time for Pan Africans to gather and celebrate life and recommit ourselves to the work of liberation: spiritual, psychological, economic and political.
It has been five years since Oakland was set on fire during the Oakland Rebellions that were a result of the BART police murder of Oscar Grant. Los Angeles based journalist Thandisizwe Chimurenga is set to release her book, “No Doubt: The Murder(s) of Oscar Grant,” in the coming weeks. This book gives a much needed political analysis of what was at work behind the curtains of this monumental police murder case.
Who could forget the murder of Oscar Grant by BART policeman Johannes Mehserle on a platform on Jan. 1, 2009. That murder, caught by other BART passengers on video that quickly went viral, sparked a movement for justice that led to the first conviction of a killer cop in California history. Because of the work of the Oscar Grant Foundation, an award-winning movie is telling Oscar’s story. It’s called “Fruitvale Station.”
“Fruitvale,” the award-winning movie about the last 24 hours in the life of Oscar Grant, is set to debut in mid-June in Los Angeles. I caught up with the Bay Area’s own Ryan Coogler to talk about the film. I had some questions about why this film did not include the life and death of Lovelle Mixon and would it be able to be used as a weapon against police terrorism. Read Ryan Coogler’s answers in his own words.
In a Hollywood Reporter article, Spike Lee is quoted: “In 1989, ‘Do the Right Thing’ was not even nominated [for best picture],” said Lee, with some mock outrage. “What film won best picture in 1989? ‘Driving Miss Mother F-ing Daisy!’ That’s why [Oscars] don’t matter,” said Lee. “Because 20 years later, who’s watching ‘Driving Miss Daisy?’”