
Happy Mother’s Day to Yuri Kochiyama! I’d like to also wish the women who haven’t seen their children in a long time, some since birth, a special Happy Mother’s Day. Our prayers are with you even if you feel alone at a time when in America prisons systematically separate mothers from their children, often permanently.

I highly recommend “Jar the Floor.” It illustrates the Sankofa concept that permeates African Diaspora culture. Shows are 8 p.m. tonight and 3 p.m. tomorrow, March 5 and 6, at the Mexican Heritage Plaza Pavilion, 1700 Alum Rock Ave., San Jose.

Quentin Easter was certainly a man whom too many of us will miss, miss for his warm compassionate smile, unruffled presence and positive outlook in the face of tremendous stress and obstacles.

Multi-layered with healing at its center, the large cast of “Dancing with the Clown of Love,” some infected, everyone affected, shared stories written over the past two years at the Women’s HIV Program at the University of California San Francisco – documented in a short film that opens the show. Hurry! The run closes this weekend.

Rhodessa, dressed in an orange prison jumper from South Africa (orange the universal prison attire, like a brand), appears with a whip. All the sensations: cold, hard, eerie darkness, unfamiliar sounds, smells, give the audience plenty to contemplate, especially those in the first two rows where the whip spinning in Rhodessa’s hand over our heads, which she then flicks, we feel, too close to our faces as its breeze and the sting of its impact hits the ground again too close for comfort. But this theme – the Black holocaust – is it supposed to be an idea that brings ease?