Tag: Sonia Sanchez
Poet-composer-playwright-critic Mari Evans Phemster was funeralized March 21, 2017, at St. Luke’s United Methodist Church in Indianapolis, Indiana. Like her friend, Gwendolyn Brooks (1917-2000), Mari’s output preceded the Black Arts Movement, though many of her titles and themes – like “I Am a Black Woman” – became anthems of BAM.
Block Report Radio interviews legendary Cuban poet Nancy Marejon about Black culture in Cuba after the revolution. She talks about Cubanismo and African pride, she talks about contemporary Cuban painters, musicians of the past, Jazz, and more. If you would like to hear more from the Block Report, you could tune in regularly to BlockReportRadio.com.
The Leimert Park Village Book Fair is held in the well preserved and nationally known Los Angeles Black artistic and cultural neighborhood Leimert Park, home to legendary filmmaker and owner of the Kaos Network Ben Caldwell and the Black bookstore Eso Won Books. Cynthia Exum and her crew have been organizing the Leimert Park Village Book Fair for a decade, which is no small feat. So I sat down with her to discuss this monumental accomplishment.
The reverberations. Not the rumbles, the reverberations. The death of Muhammad Ali will undoubtedly move people’s minds to his epic boxing matches against Joe Frazier and George Foreman, or there will be retrospectives about his epic “rumbles” against racism and war. But it’s the reverberations that we have to understand in order to see Muhammad Ali as what he remains: the most important athlete to ever live.
“Twenty Years of Speaking Truth to Power” is the theme for CCWP’s 20th anniversary gala, on Saturday, Nov. 7, 7 p.m., at the Women’s Building 3543 18th St., San Francisco. For information, call 415-255-7036, ext. 4, and if you’d like to volunteer at the event, visit womenprisoners.org. Featured guests include Patrisse Cullors, co-founder of Black Lives Matter; Jayda Rasberry, organizer with Dignity and Power Now; Thao Nguyen, Thao & The Get Down Stay Down; and the Heiwa Taiko Drummers.
I am recovering from a huge blow – my computer was taken along with other personal irreplaceable items. We stopped by Loon Point to visit the shore before driving back to the San Francisco Bay Area Jan. 30. It was early, we’d just finished our first session of the Winter Quarter. We left our luggage in view in our cohort’s car. In Oakland, we’d not have done that, but somehow the seashore, mountains and quiet terrain deceptively seduced us.
The 18th Annual Maafa Commemoration Ritual is Sunday, Oct. 13, 2013, predawn. We meet at Ocean Beach, Fulton at the Great Highway. The ritual is for people of African Descent (Black people from throughout the globe). There are so many great events this month, but not enough space to list them all.
The award winning play, “The Mountaintop,” looks at the everyday divinity of ordinary folks and places Martin King right there with them. His greatness is not a greatness which is inaccessible or isolated. In the Lorraine Motel that night, King listens and even agrees at some point with the young maid, Camae, a Malcolm X radical in an apron.
Minister of Information JR speaks with actress-storyteller-writer Rie Shontel about her provocative one-woman show “Mama Juggs.” Now you have the opportunity to see this gifted sista, who has performed around the country and in Africa and now includes Blues legend Augusta Collins in the show. “Mama Juggs: Three Generations Healing Negative Body Image” will play Tuesday, Dec. 21, at Twin Space, 2111 Mission St., San Francisco, and on Wednesday and Thursday, Dec. 29 and 30, at the Black Dot Cafe, 1195 Pine St., West Oakland.
In my opinion, passionate writers are the best writers because of their ability to convey emotion from their mind to yours. They’re memorable because of the feelings that they stir up inside of you simply with their wordplay. Talaam Acey is a master spokenword artist and a national artistic treasure in Black communities around the nation.
Maafa 2009 was chillier than usual, but our hearts were certainly no less warmed by the ancestors’ tight embrace as supplicants made their way through the Middle Passage to the Wolosodon rhythms, the slave march through the Doors of No Return to the beach where each person held a piece of string – symbolic of a connection … a philosophical connection to the homeland, family and history.