Tag: Wendell Pierce
On April 12, two Black men, Donte Robinson and Rashon Nelson, were arrested for trespassing at a Philadelphia Starbucks while sitting at a table waiting for a business partner. Starbucks responded by making plans to close 8,000 stores on May 29 for racial bias training. The incident prompted consumers and activists to #BoycottStarbucks and consider alternatives like Oakland-based Red Bay Coffee. Owned by Black entrepreneur Keba Konte, Red Bay Coffee’s staff is composed entirely of women, people of color and the formerly incarcerated.
“The Forever Tree,” a fictional short screening at the SF Black Film Festival this year, is set in Harlem in the year 1919 and utilizes history and magical realism to tell its story. In the film, the main character interacts with Madame CJ Walker, Garvey is talked about, and the Book of Enoch is talked about as well as the Dogon star. I sat down with the co-writer and producer of “The Forever Tree,” Stephen Hintz, so that he could give us a little background into what went into this film.
I’ve finally seen “Selma” and can report it is a proper civil rights movie. By that I mean it takes few chances either thematically or aesthetically. The icons remain intact and the movement free from revisionist recriminations. This cautious strategy is understandable in a risk-averse Hollywood. Although boxed in by those kinds of commercial expectations, “Selma” delivers even more than it should.
"Selma" gives a window into the turbulent three-month voting rights campaign, a series of pivotal protest marches in 1965 that culminated with President Johnson signing the Voting Rights Act of 1965. The movie offers a lens into King and imperiled activists’ attempts to travel a 54-mile highway from Selma to the Alabama state capital, Montgomery, in the face of blatant racism, brutality and de facto segregation.
In a Hollywood Reporter article, Spike Lee is quoted: “In 1989, ‘Do the Right Thing’ was not even nominated [for best picture],” said Lee, with some mock outrage. “What film won best picture in 1989? ‘Driving Miss Mother F-ing Daisy!’ That’s why [Oscars] don’t matter,” said Lee. “Because 20 years later, who’s watching ‘Driving Miss Daisy?’”