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I was armed when I entered the darkened studio room on Yosemite in San Francisco’s Bayview District where Zaccho Dance Theatre resides. When I opened the black curtain and stepped into the darkened room, I stood still for a moment to let my eyes adjust and noticed chairs where a few patrons sat. I decided to wander through the huge open space.
With the storm approaching New Orleans, I spoke to Dwight Henry, co-star in the film, “Beasts of a Southern Wild,” currently in Bay Area theaters. I spoke to three men who are riding the storm out: Parnell Herbert, Angola 3 activist and playwright, Mwalimu Johnson, community organizer and prison abolitionist, and Malik Rahim, former Black Panther.
Rhodessa, dressed in an orange prison jumper from South Africa (orange the universal prison attire, like a brand), appears with a whip. All the sensations: cold, hard, eerie darkness, unfamiliar sounds, smells, give the audience plenty to contemplate, especially those in the first two rows where the whip spinning in Rhodessa’s hand over our heads, which she then flicks, we feel, too close to our faces as its breeze and the sting of its impact hits the ground again too close for comfort. But this theme – the Black holocaust – is it supposed to be an idea that brings ease?
Wednesday, Oct. 15, at the Prescott Joseph Center we honored the legacy of the San Francisco Bay Area's premiere artists: Berkeley resident Joy Holland and Oaklander by way of St. Louis Casper Banjo, with featured artist Keith Hopkins, another Oaklander. The exhibit is titled "Breath of Our Ancestors."