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With President Agent Orange sitting in the White House surrounded by his harem of small-handed Klansmen, we must understand that this homogenous group of fascists is intent on wreaking havoc on intellectual strength. We cannot sink into the depths of mental despair and spiritual neglect. This is exactly what they want. The tyranny of a totalitarian regime and the suffering and oppression that ensues is nothing new to the Black psyche.
Millions turned out on Saturday for the Women’s March on Washington and its sister marches around the world. I wasn’t one of them. I very much recognized the need for the united front against a new administration whose policies stand to infringe upon the rights of women, people of color, immigrants, the disabled and members of the LGBTQ community. And yet, I still had deeply complex feelings about how I, as a Black immigrant woman, fit into the equation.
2017 marks the centennial of the nation’s bloodiest race riot in the 20th century in East St. Louis, Illinois. Migrant Black people were hired to work as miners to replace striking white workers at the Aluminum Ore Co. The white workers stormed City Hall demanding redress from the mayor. Shortly thereafter, news of an attempted robbery of a white man by an armed Black man set off the reign of terror in downtown East St. Louis in which unarmed Black men, women and children were pulled from trollies and street cars and beaten and shot down in the street.
Perhaps the reason why Nat Turner is almost completely buried within documented and oral histories is connected to the fear his rebellion caused in the Southampton and by extension the Southern antebellum community. Nate Parker’s “The Birth of a Nation” visits this story as Donald Trump draws a white male constituency very much in keeping philosophically with the angry mob who tear the flesh from the iconic Prophet Nat Turner’s body.
The national protests catalyzed by the killing of Mike Brown in Ferguson last August continue even as many have moved on. In Chicago, many have used the energy and opening created by these ongoing protests to re-animate existing long-term anti-police violence campaigns. On Saturday afternoon, hundreds of people gathered at the Chicago Temple to show our love for police torture survivors on the day after Jon Burge was released from house arrest.
Annually, one of the greatest human beings on the planet, Avotcja Jiltonilro, organizes and/or participates in a tribute to the legendary warrior poet, Pat Parker. Pat Parker confronted the world in the precarious position of being non-white, non-male, non-heterosexual in a racist, misogynist, homophobic, imperial oxymoronically named melting pot of culture. And she blew the lid off the mess with truth.
I am not about to trust a “movement” that offers no critique of the role of state violence in upholding capitalist economic interests. I am not about to get arrested with some “white” guys whose interests are just their own, who only noticed injustice when they were the ones who got laid off, arrested, beat down or tased.
Jazz Hudson is one of the new up and coming poets out of the Bay who has been making a name for herself at poetry readings - one of the most loquacious and passionate young sistas to come out of the concrete jungle of Oakland in a long time.
Bayview Hunters Point is a community not exempt from poverty, violence, racism, police terrorism, gentrification, institutionalized ignorance, displacement and demonizing media coverage. With the Tough House Project, founder Jamal James Modica hopes to give this community a voice.
Set on the banks of the Mississippi during the Civil War, "…and Jesus Moonwalks the Mississippi" is a poetic journey of forgiveness and redemption inspired by the myth of Demeter and Persephone. This thought-provoking play combines traditional storytelling, gospel music and a wicked sense of humor to create a rich, imaginative world that allows trees to preach, rivers to waltz and Jesus to moonwalk. The run has been extended through April 25.