by The Minister of Information JR
Since then, Refa-1 has been making a name for himself curating the Aerosoul shows over the years, which concentrate on the spray paint artist from all over the Pan African and Indigenous world. Don’t miss the closing reception to AeroSoul3, which is Friday, Feb. 22, at the African-American Art and Culture Complex, 762 Fulton St. in San Francisco, at 6 p.m. Here is Refa-1 in his own words …
M.O.I. JR: Can you talk a little bit about how you became a graff artist? When did you start taking it serious?
Refa-1: I became a spray can writer when I was 11 going on 12 in Oakland, California. Writing culture was serious from the jump ‘cause HipHop was serious business at that time. It was an amazing time to sharpen yourself against your peers who were pushing you to be creative.
M.O.I. JR: Why do you think it is important to have a political message in most of your work?
Refa-1: The nature of the genre is political in and of itself just by virtue of being rebellious to the repressive norms of the capitalist status quo establishment. Having a political message in my work is important because writing gives me a platform to express identity and speak to the interests of my oppressed people. Writing is a creative method of informing people about problems as well as solutions affecting the African diaspora.
M.O.I. JR: How has the art of Black Panther artist Emory Douglas affected your work?
Refa-1: I was particularly inspired by Emory as a panther cub growing up in the bay. Emory and the Black Panther Party forged the path for writers like me by taking control of the visual landscape of the Black and oppressed communities with posters promoting the agenda of freedom fighters. I wanted to grow up to be one and I have. I’ve had the honor of working directly with Emory and the Panthers to continue the legacy of serving the people as a revolutionary artist.
Writing gives me a platform to express identity and speak to the interests of my oppressed people. Writing is a creative method of informing people about problems as well as solutions affecting the African diaspora.
M.O.I. JR: Can you talk a little about your upcoming show? What is the theme? Why is the theme unique?
Refa-1: AeroSoul3 is having its closing reception on Feb. 22, ending a six-month show at the African American Art and Culture Complex. The exhibition features the Black spray can art masters of the craft from the African Diaspora. Some of the legends include Subway masters Chain3, Sak, Slave, Skeme, Shame125th, Abby as well as writers from outside the nation like Mode2 and Docta of Senegal.
AeroSoul is a movement addressing the violence and self-hatred that has polluted our community through corporatized media and colonial miseducation. We made a call to the Black spray can artist community to take a collective stand and organize to use our skill to liberate Black people, especially the youth.
It is the first element in HipHop to organize internationally annually to address our people’s problems. Our overarching goal is that all the elements of HipHop would follow suit and begin to use the culture to free us from oppression. AeroSoul has the political undertones of the ideology of PanAfricanism. Considering the United Snakes of America’s imperialist war on Mother Africa, it’s important for Black and African people to be very politically astute.
M.O.I. JR: Who will be participating in the upcoming show?
Refa-1: Black and African writers from all over the globe from the 1970s era to present as well as our Brown allies from LA.
M.O.I. JR: What do you hope to inspire in people with this annual show?
M.O.I. JR: Can you talk about the art collective that you are a part of called the Oakland Maroons?
Refa-1: The Oakland Maroons is a collective of unapologetically Black artists in Oakland committed to serving the Black community through art by any means necessary.
M.O.I. JR: How do people keep up with you online?
The People’s Minister of Information JR is associate editor of the Bay View, author of “Block Reportin’” and filmmaker of “Operation Small Axe” and “Block Reportin’ 101,” available, along with many more interviews, at www.blockreportradio.com. He also hosts two weekly shows on KPFA 94.1 FM and kpfa.org: The Morning Mix every Wednesday, 8-9 a.m., and The Block Report every Friday night-Saturday morning, midnight-2 a.m. He can be reached at firstname.lastname@example.org.