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The most revolutionary aspect of the film “Black Panther” is the mere fact that it showcases the beauty, history, relevance and capability of being simply Black and proud. I relate this strongly with the stigma many Black Americans have towards Africa, mainly visible in the lack of interest in visiting the vast continent of 54 countries. Moreover, the plague of insecurity that rests in Black people with their appearance and desire to look more European.
An ever growing number of folks are finding love with partners outside their race and raising children of blended cultures. There is also an increase in the number of families and individuals adopting children of color who have no actual knowledge or involvement with their cultures. Regardless of the culture or ethnic background of the adults, it is critical that certain realities be kept in mind. Children of color have distinct cultural histories and mores that should be acknowledged and consistently reinforced.
I have known Iminah, the renaissance woman who works under the brand name “From Ghetto to Goddess,” for a few years, and I continue to be inspired by how she serves the Black community. Since moving back to Oakland from Atlanta where she went to college, Iminah has been involved with speaking to at-risk youth, writing and recording an album, and dancing in everything from plays and dance shows to music videos.
In the summer of 1963, the KQED Film Unit invited author James Baldwin to investigate racism in San Francisco. Baldwin agreed to be filmed while he scrutinized the liberal, cosmopolitan image projected by the city. Before “Take This Hammer” was televised, KQED’s Board of Directors insisted that 15 minutes of footage had to be removed, which some felt portrayed race relations in an overly negative way.
With the U.S. economy turning a blind eye to unemployment in the Black community, it is on us to create business and employment opportunities for our community, and Taiwo Kujichagulia-Seitu and her collective of dedicated women, known as the Lyric Dance and Vocal Ensemble, have answered the call by opening the Lyric Performing Arts Academy in downtown Oakland.