Tags Danai Gurira
Tag: Danai Gurira
Black Panther in a nouveaux peacock chair making deals with the CIA! I am like hold up?! Are you out of your mind? This must be a slapstick thrown in to distract and confuse the audience who do not know their history and who probably believe it’s OK to share secrets with the U.S. government. Like Okoyo, the CIA is all about meddling in international affairs that threaten white supremacy and its economic and military dominance. Wakanda has a seat in the U.N. Council.
Hollywood films should always come with a consumer health warning to people of African descent: “Beware of ‘The Ideology of the Aesthetic,’ as Terry Eagleton would put it.” With all the hype, “Black Panther: Long Live the King” falls under this manipulative ideological warfare genre and should have been subtitled, “Down With the King,” for subscribing to what Wole Soyinka would dismiss as the pseudo tradition of neo-Tarzanism.
The most revolutionary aspect of the film “Black Panther” is the mere fact that it showcases the beauty, history, relevance and capability of being simply Black and proud. I relate this strongly with the stigma many Black Americans have towards Africa, mainly visible in the lack of interest in visiting the vast continent of 54 countries. Moreover, the plague of insecurity that rests in Black people with their appearance and desire to look more European.
“Black Panther” follows T’Challa/Black Panther’s journey, in the aftermath of his father’s death, to lead his technologically advanced nation, Wakanda, which the world believes is impoverished. Featuring Black actors from the United States, England and various parts of Africa, “Black Panther” is the first Marvel film set in a Black-ruled nation. As such, the film challenges the negative stereotypes in which the world typically views African nations.
It’s International Women’s History Month and in director Abderrahmane Sissako’s film “Timbuktu” (2014) we meet fierce African women who stand their ground when faced with lashings, stonings and bullets. The setting is Timbuktu, Africa’s Mecca, a sacred historic seat of knowledge and wisdom, which has been ravaged recently by warfare and plunder. Peoples’ lives, antiquities, books, Quranic texts, landmarks and buildings have been destroyed.