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Paul S. Flores’ new play, “Placas: The Most Dangerous Tattoo,” is riveting. I was sitting on the edge of my seat all through intermission; the drama was that intense and unsettling. Fausto, Edgar’s father, spends nine years in prison and upon release decides to have his tattoos removed for his son, whom he doesn’t want to follow in his footsteps.
When Martin Luther King was killed in Memphis, he was about to join the sanitation workers in their protest for a union and more decent wages. The movement for civil rights was taking hold in the North and America didn’t like it – so off with King’s head.