by Minister of Information JR
M.O.I. JR: Can you tell us about your new album, “Sins of your Forefathers”? What makes it different from past work?
Sellassie: “Sins of Your Forefathers” is my fourth self-produced album since 2005, a follow-up from my junior record, “I’m Tryin’ to Make a Livin’ Not a Killin’,” so you can say that “Sins of Your Forefathers” is my senior record and now with my future works, I’m off to college.
I separate myself lyrically. “Sins of Your Forefathers” promotes knowledge of self in a world full of lyrical facades, imaginative murders, loathing of one’s own people and mis-education. Compared to my past work, “Sins of Your Forefathers’” message is more poignant toward my people taking responsibility for the situations we’ve created for ourselves, that we haven’t figured out the common sense solutions to change.
M.O.I. JR: One of your popular mantras is that you don’t do “house nigga” rap? What is that specifically? What role does that play in the music industry?
Sellassie: House Negro rap music is music that glorifies money, Black on Black violence, Black on Black hatred, womanizing and the drug culture responsible for the destruction and deaths of millions of our young nation in the last 20 years, with more deaths guaranteed in the present and in the future. No matter who speaks it or says it, if you destroy the image of our people, you’re working for the devil.
Believe it or not, Black people and Black culture does exist and it all doesn’t look like BET, “Meet the Browns” and that garbage pop music. These house negro rappers have nothing positive to say about Black people or Black culture and seemingly don’t know or love our culture. They sell their style for a spot on television.
The role is small to none because there aren’t many anti house-negro rappers out there. There aren’t many artists that speak directly to the heart of the Black soul. I’m not rapping for the music industry; I’m not even in the music industry. I’m in the streets and I connect with the streets. And I’ll never lose that. If I do, I’ve lost it all.
M.O.I. JR: What do you think concretely that artists in the Bay could do to unify? What will the concrete benefit of this unity be?
Sellassie: Stop hatin’ on each other’s music. Realize that this is a business and an art form. And in business, you don’t always like the people you do business with, but to do business, you have to co-exist.
Simply buying each other’s records, coming to each other’s shows, re-tweeting each other’s tweets – and if we do that, we can create a movement and stop being what I like to call “chicken shit.” Independence means strength in numbers and if we can support each other, we would all see more success.
What can artists do to unify? Simply buying each other’s records, coming to each other’s shows, re-tweeting each other’s tweets – if we do that, we can create a movement.
M.O.I. JR: Can you tell us about your live show series “We All We Got”?
Sellassie: We created and produce a successful emerging artist series for the new voices and faces of Hip Hop. We have produced 50 shows this year in San Francisco, San Jose, Santa Cruz, Berkeley, Sacramento and Reno, Nevada, and have created a whole infrastructure for new artists to get on, get exposure, make money and share resources.
It’s grassroots and it’s authentic, which is why I think we are doing so well with it. We’ve expanded with a sister series, 2Racks, in LA and have plans to bring the showcase to cities across the U.S. in the coming year. I host and DJ and perform at the shows.
M.O.I. JR: Who are some of the great people who have inspired your thinking and your music?
Sellassie: John Henrik Clarke, George Jackson, Tupac, Cheikh Anta Diop, Langston Hughes, Prince, John Jackson, Malcolm X, Kwame Nkrumah, Alexander Petion, James Baldwin, Sista Souljah, Ellis Cole, Farrakhan, Queen Latifah, Mumia Abu Jamal and my mom.
M.O.I. JR: How can people stay up with you?
Sellassie: I have a website, www.sellassiefrisco.com. It’s all there for you, brother.