June 16, 2017
As of 2016, “Love Life” became the City of Oakland’s motto. In early June, Health Through Art, a program of the Health Human Resource Education Center, announced the campaign release of Eric Norberg’s winning artwork piece, “Love Life.” The art will appear on 25 billboards throughout the city of Oakland displaying the slogan “Love Life, Don’t Take Life”. The first billboard, at 24th and Adeline, was dedicated and celebrated on the morning of Monday, June 12.
June 4, 2016
When I first heard the statement that “The Black Woman Is God,” it wasn’t new or spooky to me, because I grew up in a family with over a hundred members and everyone knew that my grandmother’s say was the final one. She was the family’s guide or god. I talked with “The Black Woman Is God” exhibit’s cofounder Karen Seneferu about this year’s show and the concepts and history behind this very important annual art show in the Bay.
October 3, 2013
The 18th Annual Maafa Commemoration Ritual is Sunday, Oct. 13, 2013, predawn. We meet at Ocean Beach, Fulton at the Great Highway. The ritual is for people of African Descent (Black people from throughout the globe). There are so many great events this month, but not enough space to list them all.
April 7, 2013
“The Black Woman Is God” exhibit examines and questions the idea of seeing the Black woman as a God figure. Artists use materials, forms and iconography that challenge the belief that the image of God is white and male. The exhibit can be seen at the African American Art and Culture Complex at 762 Fulton St. in San Francisco until May 30, Tuesdays through Saturdays from noon to 5 p.m.
January 28, 2011
In honor of African History Month, the Bay Area Aerosol Heritage Society is proud to present AeroSoul 2011, which will kick off on Feb. 4 at the Joyce Gordon Gallery in Downtown Oakland and be followed by a month-long series of events showcasing some of the most cutting-edge, dynamic Black urban calligraphers in the world. Refa 1 is the event curator.
June 24, 2009
When watching movies we often see the perspective of directors, writers and producers who were not conditioned to see the world and the culture they are filming from the viewpoint of somebody living in it instead of just a spectator. Idris Hassan is one of many emerging female filmmakers who refuse to sit back and just accept someone else’s view of what is happening.