Tag: Nat King Cole

JR Valrey’s interview confirms no humdrumming happening here as badass TBA band lights it up in the Bay!

A 1968 book-length report, titled “A Study of the Manpower Implications of Small Business Financing: A Survey of 149 Minority and 202 Anglo-Owned Small Businesses in Oakland, California,” was sent to the Bay View by its author, Joseph Debro, prior to his death in November 2013, and his family has kindly permitted the Bay View to publish it. The survey it’s based on was conducted by the Oakland Small Business Development Center, which Debro headed. This is Part 19 of the report.

The evening of Friday, Feb. 20, honored to be the keynote speaker at the San Francisco African American Historical and Cultural Society’s Black History Exhibit Opening and Reception. 2015 celebrates the Society’s 60th anniversary, that embraced the theme, “A Century of Black Life, History and Culture: 1915-2015.” BILL HOSKINS, Executive Director and Curator, AL WILLIAMS, President and Chair, Black History Committee.

Leola King brought memorable class and dignity to every business she operated during a 50-year career in San Francisco. Most of the Black people here now know nothing positive of what it was like to walk and live amongst the greatness we had created there on Fillmore Street. Redevelopment viciously undermined and ripped Mrs. King’s fortune away. Her funeral is Friday, Feb. 13, 11 a.m., at Third Baptist Church, 1399 McAllister, the repast 4-7 p.m. at West Bay Conference Center, 1290 Fillmore St., San Francisco.

It is the slavery issue that begins the African American-Roma association and molds many of the cultural similarities that follow. It starts with the propaganda around the plantation labeling the slaves as “soulless” “talking animals,” helping to justify the lucrative trade against an increasing religious and political conscience declaring “all men are created equal.”

“Vigilante on the Loose” is based on a true story about a community plagued with past injustice. This time they chose to stand their ground. Filmed on location in Miami, Florida, the film was produced by Vision Entertainment Group and directed by Timothy Hodges. The once thriving Black section of Miami known as Overtown is virtually destroyed after so-called urban renewal.