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Slavery has indeed marked this nation. Its soot leaves a residue the best detergent cannot wipe away or wash out. Truth – bitter, the missing ingredient is hard to swallow, let alone see – yet this is what The National Memorial for Peace and Justice and by extension The Legacy Museum: From Slavery to Mass Incarceration demands we face. It is not in your head or imagination that these atrocities to other people reside.
Congrats to new San Francisco Mayor London Breed! Congrats to TheatreFirst for “Participants,” the kind of collaborative theatre project which should be the norm, not the exception. Make sure you check out the finale for the TF 2017-18 season: “Between Us” and “Just One Day” beginning Feb. 18. Listen to two engaging conversations with playwrights and actors about “Participants”: Dezi Soléy and Cheri L. Miller, Skyler Cooper, Nick Nanna Mwaluko, Carl Lumbly.
2017 marks the centennial of the nation’s bloodiest race riot in the 20th century in East St. Louis, Illinois. Migrant Black people were hired to work as miners to replace striking white workers at the Aluminum Ore Co. The white workers stormed City Hall demanding redress from the mayor. Shortly thereafter, news of an attempted robbery of a white man by an armed Black man set off the reign of terror in downtown East St. Louis in which unarmed Black men, women and children were pulled from trollies and street cars and beaten and shot down in the street.
It is amazing how time flies whether one is moving or standing still. One looks up and sees, suddenly it seems, friends celebrating 70 and 75 or 80 or even 90-plus milestones. Wow! What a blessing that is. And while we also see the fullness of time’s passage in the lives of those who have decided to move on, too often we are caught by surprise, our mouths hung open, the words we could have said … deeds left undone.
Happy New Year! Happy Birthday to my granddaughter Brianna, niece Wilda and friend Fred T. I am still smiling about America’s new relationship with Cuba and the freed Cuban 5. If you are in New Orleans (NOLA), don’t miss “Prospect 3: Notes for Now,” the biennial there being celebrated throughout the city through Jan. 25.
Afrikan history is world history. World history is human history. And the Black Woman Is God. “The Black Woman Is God” exhibit is a continuation of great Afrikan thought, not solely an outstanding new work of collective and individual art. The closing reception is Thursday, May 30, 6 p.m., in the Sargent Johnson Gallery, African-American Arts and Culture Complex, 762 Fulton St., San Francisco
“The Black Woman Is God” exhibit examines and questions the idea of seeing the Black woman as a God figure. Artists use materials, forms and iconography that challenge the belief that the image of God is white and male. The exhibit can be seen at the African American Art and Culture Complex at 762 Fulton St. in San Francisco until May 30, Tuesdays through Saturdays from noon to 5 p.m.