Celebrate the publication of (Dis)Location: Black Exodus, activated by the unprecedented out-migration of Black San Franciscans from their historic neighborhoods. Bayview Opera House, 4705 Third St., San Francisco, on Saturday, Aug. 3, 5-7 p.m.
Our support of X-Raided shows support for the power of redemption in validating his decision to convey a meaningful message over those catchy repetitive rhymes that promote death and idiotic behavior. Today many artists aren’t communicating ideas purposefully. The ideas that they’re spreading, some not even written by themselves, aren’t intentional and have no goal beyond the beats and rhymes. X-Raided’s first concert, The Execution of X-Raided, will be Jan. 18, 2019, at the Fillmore Heritage Center.
“12 Years a Slave” affected me differently than Quentin Tarantino’s “Django,” which in its caricature style held me spellbound or suspended in a place of imaginative wonder – the Black man was going to win and get the girl too in the end. “Twelve Years” moved slowly and by the time Northup’s ordeal ends we are thankful yet exhausted. I saw the film alone. I think it’s the kind of journey one should invite a companion on.