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At 6:13 a.m. on July 23, Big Man joined the ancestors. Above all else, Elbert “Big Man” Howard loved his comrades and all oppressed people, who he never stopped fighting for. His Celebration of Live will be on Saturday, Aug. 25, 1 p.m., in the Bobby Hutton Grove inside of DeFremery Park, Oakland. Big Man was responsible for a free medical clinic for sickle-cell anemia and a work-study program for parolees at Merritt College. He was the first editor of The Black Panther newspaper, rebuilt Black Panther chapters decimated by COINTELPRO and built Solidarity Committees in Europe, Africa, Asia and the Caribbean.
The new “Black Woman Is God” exhibit, curated by Karen Seneferu and Melorra Green, features the work of over 50 Black women artists in a variety of genres: film, mixed media installation, sculpture, paintings, photography – in a range of sizes covering entire walls to intimate corners. We travel below ground into spaces where lives are born and secret formulas are calculated … brews stirred.
When I first heard the statement that “The Black Woman Is God,” it wasn’t new or spooky to me, because I grew up in a family with over a hundred members and everyone knew that my grandmother’s say was the final one. She was the family’s guide or god. I talked with “The Black Woman Is God” exhibit’s cofounder Karen Seneferu about this year’s show and the concepts and history behind this very important annual art show in the Bay.
Afrikan history is world history. World history is human history. And the Black Woman Is God. “The Black Woman Is God” exhibit is a continuation of great Afrikan thought, not solely an outstanding new work of collective and individual art. The closing reception is Thursday, May 30, 6 p.m., in the Sargent Johnson Gallery, African-American Arts and Culture Complex, 762 Fulton St., San Francisco