Tag: Liesl Tommy

In the late ‘60s and early ‘70s, the Black Panther Party and the Young Lords totally transformed the psychology of people in the United States with their survival programs, their muti-layered platforms, their fight for human rights against capitalism and imperialism, and their armed self-defense against the police. On Oct. 24, “Party People,” a play developed and directed by Liesl Tommy, premiered at the Berkeley Repertory Theater.

Judith Jamison looked regal on stage with Farai Chideya last month in The Forum Conversations at Yerba Buena Center for the Arts. Her message seemed to be one of preparedness and presence – being, as our sister Ayana Vanzant says, in spirit. Muslims call this the sirata-l-mustaqim or the path of the rightly guided.

It is not often one sees a play written and directed by Black women, the director, Liesl Tommy, from Cape Town, South Africa. Only a fine writer like Lynn Nottage could take such tragedy and make us smile and laugh between the tears.

Women’s History Month and the 100th Anniversary of International Women’s Day March 8, 2011 – what a great month to toast the New Year. The name itself is an action, a call to action: MARCH – Move!

October is Maafa Awareness Month, a time to reflect on recovery from the residual impact slavery had on the Black community and how the centuries of free labor benefited everyone else. The ritual this year is Sunday, Oct. 10, 5:30 a.m., at Ocean Beach, Fulton at the Great Highway, in San Francisco. Maafa is Kiswahili for “great calamity, reoccurring disaster,” a term used to describe the Black Holocaust of the European Slave Trade and how the post traumatic stress syndrome shows up in our thoughts and behavior unwittingly.