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Dimensions Dance Theatre presents its annual youth showcase, “The Village Matters,” on Sunday, May 7. Participants include Rites of Passage, Dimensions Extensions, LIKHA School of Philippine Dance, On Demand, BAY-Peace, Oakland Technical High School, Oakland High School, Bret Harte Middle School and Kipp Bridge Academy. The program also features guest artists Destiny Muhammad, “Harpist from the Hood,” and Batalá San Francisco.
The new “Black Woman Is God” exhibit, curated by Karen Seneferu and Melorra Green, features the work of over 50 Black women artists in a variety of genres: film, mixed media installation, sculpture, paintings, photography – in a range of sizes covering entire walls to intimate corners. We travel below ground into spaces where lives are born and secret formulas are calculated … brews stirred.
When I first heard the statement that “The Black Woman Is God,” it wasn’t new or spooky to me, because I grew up in a family with over a hundred members and everyone knew that my grandmother’s say was the final one. She was the family’s guide or god. I talked with “The Black Woman Is God” exhibit’s cofounder Karen Seneferu about this year’s show and the concepts and history behind this very important annual art show in the Bay.
“My dream was to develop a new color that no one had ever seen in life. It hasn’t come true yet, but that was a dream of mine when I was a little girl,” says Bay Area muralist Edyth Boone in the documentary about her life, called “A New Color: The Art of Being Edythe Boone.” It screens on April 6, 5:15 p.m. at Holy Names University, 3500 Mountain Blvd., Oakland, as a part of the Oakland International Film Festival.
This art exhibition will feature some of the hottest artists in the Bay Area, including Emory Douglas, Sage Stargate, Duane Deterville, Karen and Malik Seneferu and others. The night will pay tribute to the Bay Area’s rebel rousers, independents and outliers. I chopped it up with the curator and organizer Melorra Green about this Saturday’s event and also about the power and function of art in our society.
As we move into the next solar return, there is much to look forward to despite the stasis that seems to infect this nation with the disease of white supremacy or racial domination. OK OK, perhaps the silver lining is a bit too buried to find Osumare’s twinkle beyond any pots of gold you’ve stumbled upon recently. The knowledge that no matter how it looks, the Creator is in charge and the bad guys just look like they are always winning is what sustains us.
On July 11, from 6-9 p.m., the San Francisco Appreciation Society (SFAS) will honor artist Eugene E. White for 50 years of painting and community service with an exhibit, artist talk and reception at the African American Arts and Culture Complex (AAACC). Mr. White’s work is part of the AAACC’s Elders Project 2013, celebrating the creativity, strength, perseverance and beauty of older African Americans.
Afrikan history is world history. World history is human history. And the Black Woman Is God. “The Black Woman Is God” exhibit is a continuation of great Afrikan thought, not solely an outstanding new work of collective and individual art. The closing reception is Thursday, May 30, 6 p.m., in the Sargent Johnson Gallery, African-American Arts and Culture Complex, 762 Fulton St., San Francisco
The award winning play, “The Mountaintop,” looks at the everyday divinity of ordinary folks and places Martin King right there with them. His greatness is not a greatness which is inaccessible or isolated. In the Lorraine Motel that night, King listens and even agrees at some point with the young maid, Camae, a Malcolm X radical in an apron.