“Saltz” is hands down one of my favorite films in the San Francisco Black Film Festival, partly because it is half a Black horror film and half a “this can really happen” film. The film is a futuristic look at the coming drug saltz epidemic, in the midst of today’s opioid epidemic. It is also a look at our own attitudes on race where the story is told twice, once with a Black cast and one with a white cast. Check out first time director Dominique McClellan as he discusses his film, “Saltz.”
Maxine Waters stood before a crowd of young people Friday at Busboys and Poets, a Washington, D.C., restaurant that doubles as stomping ground for social movements. At the event, which she organized as a soulful open mic before the following day’s Tax March, the congresswoman doubled down on her call for the impeachment of President Donald Trump with a combined bluntness and realness one wouldn’t expect from a politician: “We’ve got to stop his ass!” After nearly 40 years in public service, Waters has become the Democratic face for the resistance against Trump.
Back during the Black Power Era, if you were down for the cause, people called you “aware.” In the Hip Hop Era, the term for being politically up to date was “conscious.” Now, with the Millennials, if you are in tune with what’s going on in the world, you are referred to as “woke.” For the past few years, since the murder of Trayvon Martin, there has been a steady rise in cultural awareness within the Black community. The Black truth now gets as much traction as the white mainstream news on Facebook. So why is the church, arguably the spiritual center of the Black community, still running two steps behind?