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“Cocoa Butter” is a comedic short film by filmmaker Dominque Gilbert, where the main character, who is white, wants the benefits of being Black in society, but not the headaches, to get the attention of a girl. The main character uses the cream but forgets to read the whole label, which reads, “Once you go Black, you can never go back.” “Why in the world would you wanna be Black?” is the question the white mother asks her endarkened son.
Perhaps the reason why Nat Turner is almost completely buried within documented and oral histories is connected to the fear his rebellion caused in the Southampton and by extension the Southern antebellum community. Nate Parker’s “The Birth of a Nation” visits this story as Donald Trump draws a white male constituency very much in keeping philosophically with the angry mob who tear the flesh from the iconic Prophet Nat Turner’s body.
With everything that has been going on lately in my life, I am just realizing that my picture is on every major news outlet that I can think of. Yes, that is me that you see in the many pictures floating around the internet with world renowned movie director Quentin Tarantino, holding a banner of my loved one. But what you may not know is the story behind why I was marching that day in New York and why I continue to fight for justice for Mario Romero.
“12 Years a Slave,” the story of a free Black man kidnapped by slave traders, has won an Oscar for Best Picture of the Year and a slew of other awards. But in one important respect, the movie comes up short. Missing from the film is the slave rebellion and revolt that Solomon Northup portrayed so vividly in his book.
Movie-goers across the country are embroiled in heavy social media discussions or water cooler arguments about Quentin Tarantino’s use and Spike Lee’s criticism of use of the infamous N-word in the blockbuster hit “Django Unchained.” During the last couple of decades there has been an interesting ongoing dialogue concerning the use, misuse and exploitation of the so-called N-word.
On the birthday of Dr. Martin Luther King Jr., it comes to mind that from day one our society and culture have been heavily influenced by film. The recent slavery-related films, “Lincoln,” directed by Steven Spielberg, and “Django Unchained,” directed by Quentin Tarantino, will have a social, economic and psychological impact.
This year, on the 150 anniversary of the Emancipation Proclamation, we all need to heed the words of Sister Jayne Cortez: “And if we don’t fight / if we don’t resist / if we don’t organize and unify and / get the power to control our own lives / Then we will wear / the exaggerated look of captivity ...” And don't miss Wanda's excellent, no holds barred reviews of “Django Unchained,” “Lincoln and “Red Hook Summer,” plus Dr. King birthday events listing and much more
In a very candid interview with Dr. Boyce Watkins, Nation of Islam leader Minister Louis Farrakhan shared his thoughts about Quentin Tarantino’s “Django Unchained.” He also revealed the greatest attribute of leadership. Amongst many thoughts Min. Farrakhan had about “Django Unchained,” one candid thought he shared was he believes the film could serve as preparation for race war.