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Feb. 6 is the international day for the abolition of all kinds of female genital mutilation and cutting. The practice of FGM/C in Africa and the Middle East is a thousand-year-old tradition consisting in cutting the clitoris of baby girls, teenagers and women with a razor blade or an ugly special knife. While the exact number of girls and women worldwide who have undergone FGM/C remains unknown, at least 200 million girls and women in 30 countries have been subjected to the practice.
During the last 50 years, the Gnassingbé dynasty in Togo has maintained itself in power through brutalizing and terrorizing those who dare to speak out against the corruption and misrule of the government. Under the rule of the Gnassingbés, Togo has been one of the poorest and most miserable countries in Africa. The people of Togo have decided that they have had enough of being ruled by a neo-colonial regime that exploits and murders them for the benefit of their former colonial masters.
The protagonists of cybercrime in the western part of the African continent are teenagers or even younger, high school students, boys, girls, men and women from all social classes. The majority of them for the past decade dropped out of school to devote themselves to cybercrime so as to earn a lot of money rapidly. Their office is the internet café, where they quarrel and joke in an ambiance of noisy excitement. When they earn money – up to millions of U.S. dollars – they loudly demand respect from everyone. They rent apartments and buy new cars and laptop computers.
Afrikan history is world history. World history is human history. And the Black Woman Is God. “The Black Woman Is God” exhibit is a continuation of great Afrikan thought, not solely an outstanding new work of collective and individual art. The closing reception is Thursday, May 30, 6 p.m., in the Sargent Johnson Gallery, African-American Arts and Culture Complex, 762 Fulton St., San Francisco
There has not been any concrete effort to expose the banks that collude and connive with corrupt leaders who are impoverishing the people. No effort has been made by the political elite in Europe and America to force the banks to return these stolen monies to the poorest of the poor.
Ben Caldwell is a mainstay in Los Angeles’ Black cultural district known as Leimert Park. He has had a part in assisting in the careers of many of LA’s most talented artists over the last 20 years, but most notable would be the influence that he and his venue, the Kaos Network, had on the legendary LA artist collective known as Project Blowed.