Tag: FBI’s counterintelligence program
Boots Riley has a problem with Spike Lee's “BlacKkKlansman,” and he explained why in a three page essay. Besides being the veteran rapper from Oakland’s The Coup, Riley is also a filmmaker who created the movie “Sorry to Bother You,” which, like Spike’s film, has a lot of buzz surrounding it. If you’re familiar with the subject matter of “BlackKkKlansman,” then you know it’s based on the true life story of former Colorado Springs officer Ron Stallworth and how he infiltrated the local Ku Klux Klan through the telephone.
Fascism has been thrust into the mainstream political vocabulary of the United States since the election of President Donald Trump on a platform grounded in xenophobia, corporate dominance and right wing white nationalism. If the growing resistance movement to Trump’s fascism is to realize its potential for societal transformation, it must draw from the deep well of Black anti-fascist resistance.
In the late ‘60s and early ‘70s, the Black Panther Party and the Young Lords totally transformed the psychology of people in the United States with their survival programs, their muti-layered platforms, their fight for human rights against capitalism and imperialism, and their armed self-defense against the police. On Oct. 24, “Party People,” a play developed and directed by Liesl Tommy, premiered at the Berkeley Repertory Theater.