September 21, 2012
Sometimes one gets tired of living in a place that doesn’t want you there, Zaccho Artistic Director, Joanna Haigood, states at the reception Thursday at the California Historical Society. The only problem is 154 years later, Black people are still unwelcome in San Francisco, which is what “Sailing Away” addresses so eloquently without words.
September 10, 2012
Paul S. Flores’ new play, “Placas: The Most Dangerous Tattoo,” is riveting. I was sitting on the edge of my seat all through intermission; the drama was that intense and unsettling. Fausto, Edgar’s father, spends nine years in prison and upon release decides to have his tattoos removed for his son, whom he doesn’t want to follow in his footsteps.
September 7, 2012
With the storm approaching New Orleans, I spoke to Dwight Henry, co-star in the film, “Beasts of a Southern Wild,” currently in Bay Area theaters. I spoke to three men who are riding the storm out: Parnell Herbert, Angola 3 activist and playwright, Mwalimu Johnson, community organizer and prison abolitionist, and Malik Rahim, former Black Panther.
September 6, 2012
I didn’t know what to expect and was pleasantly surprised when Esperanza Spalding, the singer-musician, treated her audiences to a socially conscious tour of America with stops at the doors of the prison industrial complex and Mother Nature. The evening moved fluidly from a fireside chat on relationships and love to the concluding number, which spoke to Spalding’s philosophy.
August 8, 2012
Dr. V. Diane Woods is the architect of the California Reducing Disparities Project’s African American Strategic Workgroup report, “We Ain’t Crazy! Just Coping with a Crazy System,” which looks qualitatively and quantitatively at Black mental health in California and its blatant racialized disparities.
August 8, 2012
There are many great programs for youth in the San Francisco Bay Area – among them, AileyCamp at Cal Performances, Destiny Arts, Oaktown Jazz Workshop, Dimensions Extensions and Oakland Public Conservatory of Music, founded by Angela Wellman.
July 27, 2012
Shai Alkebu-Lan was invited to attend one of San Quentin’s performances of “Hamlet” by Shakespeare. It was a great performance, and many people throughout the Bay Area and the state, family and friends of inmates, staff and the thespian community as well as the media attended the performance.
July 13, 2012
The parody currently on stage at American Conservatory Theater, “The Scottsboro Boys,” staged by director-choreographer Susan Stroman (“The Producers”), through July 22, 2012, takes a historic tragedy in American history and recasts it as buffoonery. Black America should not be surprised. Classic guilt is always re-envisioned in this paradigm. The boogeyman is always Black and male.
June 3, 2012
I would like to wish all the fathers a blessed and happy Fathers’ Day 2012. It is a hard time to be a parent of a youngster, not to mention an adolescent or youth. The challenges are great, in direct proportion to the rewards. I’d like to congratulate the young fathers who are stepping up and participating in their children’s lives, especially when society equates parenting with one’s largess or paycheck.
May 5, 2012
We give honor to Mother Earth, her birthday celebrated the weekend of April 22 with many great events in the Bay Area, “Love Yo Mama” in East Oakland hosted by Nehanda Imara of Citizens for a Better Environment, one of my favorite community events. My granddaughter and I enjoyed visiting the Tassafaronga Farm.
April 4, 2012
The Oakland International Film Festival is Friday-Sunday, April 6-8, at the Oakland Museum of California, 10th and Oak Street, Oakland. Visit http://www.oiff.org/2012schedule.pdf. This year’s headliner is one of the most controversial independent films ever made, “The Spook Who Sat by the Door.” Watch it again here.
March 7, 2012
When the Occupy San Quentin rally ended, San Rafael police followed us to the Richmond Bridge. I don’t know if it was Jabari Shaw’s orange CDCR jumpsuit that kept them wondering – Is he an escapee, one of ours? – or if it was the sheer magnitude of fearlessness represented by women like Kelly, a former prisoner who would not let her traumatic experience silence her. One brother got so full looking at the guards on the other side of the gate watching that he looked like he was going to leap the gate and hurt someone as he recalled the violations of his person over and over again. Members of All of Us or None dropped everything to embrace him when he left the stage.
February 4, 2012
This is the month we wear our Blackness with pride – so walk on, walk on. I want to thank Rhodessa Jones, Shaka Jamal, Pat Jamison, Elaine Lee, Walter Turner, Vera Nobles and Elouise Burrell for your leads and references for South Africa.
January 5, 2012
Life isn’t fair: Too many kids and not enough food, fat cats bringing in all the money and government services like free hospitals and free education is not free for those who need it because, like everywhere, bureaucracy breeds corruption, whether we are in Madagascar or the United States.
December 3, 2011
Sobonfu Somé, West African healer, says that when people die and become ancestors, they get smarter and often try to repair any damage they may have made while in this physical form. Ancestors want to be busy making our lives better. She said we can call on them to intercede on our behalf when we are troubled.
October 4, 2011
October is Maafa Commemoration Month. The term Maafa refers to the Black Holocaust, that period when African people were stolen and traded in the greatest, most widespread cooperative economic venture to date, which resulted in the displacement of human beings as commodities. The Kiswahili term Maafa extends that definition of loss and trauma, that is, PTSD or post-traumatic slave syndrome – the flashbacks, both conscious and unconscious, reoccurring instances of the atrocities 150 years after the end of slavery which have direct association to the brutality of chattel slavery.
September 20, 2011
In August 2010, I met Cassandre, a young woman who had been raped. Her father had been putting her through university, so when he was killed, her dreams died too. Kamau Amen Ra volunteered to support her in her dream to become an accountant. Now she, her mother and grandmother need help to move from their tent camp to an apartment.
September 4, 2011
Tuesday, Aug. 16, 2011, was the opening of August Wilson’s play, “Seven Guitars,” directed by Kent Gash, at the Marin Theatre Company. I hadn’t seen the play in about 15 years. Wilson was alive then and he was work-shopping his latest – play five in the eventual 10-play cycle – at ACT-SF with the Lorraine Hansberry Theatre in a co-production.
September 1, 2011
Denise, Marilyn, Anna and I, with Harriett at the wheel, left West Oakland BART in the second carpool wave for Sacramento Tuesday, Aug. 23, at 9:30 a.m. to attend a pre-rally for the historic California Assembly Hearing on Solitary Confinement.
August 4, 2011
How well indeed the creator saw fit to have the Muslim population worldwide join the hunger strike started by brothers in the Security Housing Unit (SHU) at Pelican Bay July 1, which continues in other California prisons, including I heard at the Central California Women’s Facility (CCWF).