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Monday, August 3, 2020
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Tag: Black music

Could San Francisco, capital of anti-Blackness, become a sanctuary city for...

I write to you as your Black daughter, one who is three generations rooted in this city, and one who had all but given up on you. Today, however, in the spirit of Juneteenth, I am thinking I can feel the fresh breath of something new in the air. Is it hope? Should I trust it? I want to.

African American classical music: Renaissance woman P. Kujichagulia speaks

On Sunday, Feb. 1, 1-3 p.m., to kick off Black History Month, she will be giving a lecture called “Racism and All That Jazz” on African American classical music, aka Jazz, in the Koret Auditorium at the San Francisco Main Library, 100 Larkin St. “I’m honored to have the fabulous Yemanya Napue, percussionists Val Serrant and Sosu Ayansolo and visual artist Duane Deterville collaborate with me on this presentation,” she says.

‘Motown the Musical’

“Motown the Musical” is a wonderful story of a man’s ability to take a dream and, with the support of first his family and secondly his community – in this case, artists in Detroit, Michigan – see the vision through to its fruition. Berry Gordy Jr. decided to open his own music company, Motown, a company that put Black music on the map and provided the bridge between mainstream white America and the parallel nation Black people occupied, but not for long.

‘Love, Peace, and Soul’: an interview wit author Ericka Blount

“Love, Peace, and Soul” by the award-winning writer and WPFW broadcaster Ericka Blount is a documented history of the show that helped to launch and sustain the careers of such musical giants as James Brown, the Jackson 5, Marvin Gaye, Barry White, Ike and Tina, Aretha Franklin and more.

‘Nü Revolution’: an interview wit’ Helene and Celia Faussart of Les...

The two sisters, Helene and Celia Faussart, who make up the hypnotic neo soul group Les Nubians made a major breakthrough when their song “Makeda,” which is sung in French, hit the American pop charts a little less than a decade ago. Not since the reign of Sade in the ‘80s can I remember international music that attracted so much attention on U.S. soil.

Black media, Black liberation: an interview with People’s Minister of Information...

The fiery writing of JR Valrey began appearing in the Bay View a dozen years ago. JR made our original vision for the Bay View reality: to inspire Black youth to build a powerful Black community. As the Bay View’s associate editor and one of KPFA’s most popular programmers with his provocative Block Report Radio shows, JR and the youth who grew up on his empowering words and pictures are growing in influence, making a difference every day – and they’re just getting started.

A Love Supreme: an interview with ‘Spirit Seeker’ author Gary Golio

In the world of jazz, John Coltrane is viewed as a spiritually driven supremely gifted sax player, one of the greatest horn players to ever live. So when I ran into Gary Golio’s book “Spirit Seeker,” I was interested in seeing if he was trying to exploit our beloved St. John Coltrane or if he was trying to bring another generation into the knowledge of Coltrane’s legacy. He did the latter, masterfully.

Ted Pontiflet says farewell to Oakland

Ted Pontiflet is an Oakland icon. He is East Coast swing meets West Coast bop. Classy. The man is too smooth to be close to 80. Ted is around until Dec. 1 and then away he goes.

The mind of Gil Scott Heron: an interview wit’ the legendary...

Gil Scott Heron is one of the greatest legends that Black music has breathing in this country. To many, his music is the soundtrack to different eras, the ‘60s, ‘70s and ‘80s. This piano player, songwriting and composing poet, has set the bar very high when it comes to passionately expressing a wide array of emotions. He is also a beast at getting a political message across through song, right next to people like Fela Kuti, Peter Tosh, Nina Simone and the likes. This is Part 3 of a four-part interview. Here’s Gil Scott Heron in his own words ...