Tag: Black Power Movement

JR Valrey interviews Jared ‘Sto’ Meeks’ twin brother, Kali Meeks, for an intimate remembrance from a twin’s experience.

Could massive internal displacement today rewire the Jonestown of yesterday? Wanda Sabir offers an up-close narrative of the MoAD-hosted reading and discussion with Dr. James L. Taylor, playwright Sikivu Hutchinson Ph.D., audience and cast of the play “White Nights, Black Paradise,” dissecting the Jim Jones’ Peoples Temple phenomenon.

In 2015, I participated in a re-entry program at the Women’s Prison in Raleigh, N.C. Prior to this, I had never set foot in a prison before, and I was so anxious on this day to meet the two mentees that were assigned to me. On Nov. 3, 2018, I encountered another first and that was to actually visit someone in prison. I was introduced to Veronza Bowers by a fellow inmate who told me that Veronza was a former Black Panther who had been serving 46 years in prison. I was immediately interested in connecting with this iconic figure in the Black Power Movement, as my late dad was also a former Black Panther. So, on Aug. 14, 2018, thus began my journey into a beautiful, lifetime connection.

The 50th Anniversary Conference of the Association of Black Psychologists (ABPsi) opened with a reverent and celebratory tribute to the ancestors and welcome to those present. Presented by Daktari Dance Medicine Collective, 50 dancers, drummers and cultural workers sprinkled medicine into the hearts and minds of those in the grand hall that night. From the welcome call, Fanga Alafia, to the “Invocation and Libation,” Diaspora dances Yanvalou, Parigol and Ogum and Spoken Medicine, the theme for the 50th Annual Conference “Building for Eternity,” June 27-July 1, 2018, was evoked, ratified and confirmed.

I really enjoyed the few times we exchanged ideas about the new Black Liberation Movement. I was a little surprised when you told me that you consider yourself to be a Black revolutionary because most young brothers who gangbang don’t identify themselves as such; and that’s because being one requires opposing and resisting racism and other systems of oppression, which is a huge burden and responsibility. Others simply don’t understand the concept of a revolutionary.

My life began in the Jim Crow South, in Houston, Texas. I remember the segregated world I was born into …  the separate water fountains, the back of the bus, the going around to the back door of Mr. Fontnoe’s grocery store to buy milk for my mother and grandmother. I recall the segregated section of the movie theaters – and the long, seemingly endless net partitioning the giant sandy beaches, separating the “Colored” folks from the “Whites.” Can you imagine that it once was a reality, a segregated beach!

With police terrorism hitting the screens of televisions around the world on a weekly and sometimes daily basis due to cellphone cameras, it is obvious why a strong Black media is needed to counteract the nationwide police psychological operation, aka public relations campaign, now being employed to make the police likable and to justify police-imposed torture and genocide on the Black community.

In 2009-10, there were a number of demonstrations and rebellions protesting police terrorism in the Black community of Oakland, after the televised execution of Oscar Grant. The mainstream corporate media started tagging them as “violent” although most of the rage was aimed at cars and buildings, not people.

Gordon Roger Alexander Buchanan Parks (1912 – 2006), pre-eminent photographer, musician, activist, filmmaker and writer, would have been 103 years old this year. This is not as outlandish a figure as it might seem, given that there have recently been a flood of centenarians living well into the turn of the next century. But did you know that he was born dead? Watch the wonderful documentary, “Half Past Autumn: The Life and work of Gordon Parks,” to find out more!

Just five days after the signing of the Voting Rights Act of 1965, the Watts Rebellion erupted, lasting several days. Today urban rebellion remains a key element in the struggle of the African American people against national oppression and economic exploitation. Since 2012, with the vigilante killing of Trayvon Martin and the resultant acquittal of George Zimmerman, a rising consciousness and intolerance for racism has been rapidly accelerating.

Yosef Alfredo Antonio ben-Jochannan, known to the African world as “Dr. Ben,” believed that education belonged to any member of his race who wanted it. Perhaps it was because he believed that if his people knew their collective root, their ancient greatness, they would fight for their freedom and achieve it. Dr. Ben, one of the founding scholars and lecturers in what is now known as Africana Studies, died last week after a long illness. He was 96.

On Sunday, Feb. 1, 1-3 p.m., to kick off Black History Month, she will be giving a lecture called “Racism and All That Jazz” on African American classical music, aka Jazz, in the Koret Auditorium at the San Francisco Main Library, 100 Larkin St. “I’m honored to have the fabulous Yemanya Napue, percussionists Val Serrant and Sosu Ayansolo and visual artist Duane Deterville collaborate with me on this presentation,” she says.

The legendary photos of Malcolm X aka El Hajj Malik el Shabazz will forever be etched in the pages of American history. In one photo, a Japanese woman holds his head as his spirit left his body. This woman was a friend and comrade of El Hajj Malik el Shabazz; her name is Yuri Kochiyama. She lived an extraordinary life that was intertwined with the Black human rights struggle and the Black Power Movement.

Political Prisoner Imam Jamil Al Amin, formerly known as H. Rap Brown, is in critical medical condition and in desperate need of our urgent action. Imam Jamil was a dominant and influential figure in the Civil Rights and Black Power Movements of the 1960s. He served as chairman of the Student Nonviolent Coordinating Committee (SNCC) and later as Minister of Justice for the Black Panther Party.

On March 8, hundreds of people, especially from the South and particularly Jackson, Miss., came to mourn and reflect on the life of Mayor Chokwe Lumumba, who died suddenly on Feb. 25 at the age of 66. Starting with a March 5 tribute at the historically Black college, Jackson State University, Mayor Lumumba’s life was memorialized for several days, ending with the masses lining the streets for his burial motorcade. A collection of tributes to the late great mayor of Jackson, Miss.

My comrade Obi Egbuna’s father, with the same name, recently passed, and it was not until his old man died that I became aware of Senior’s well-documented history in the Pan African Movement. I am honored to salute the life of his father, Obi Egbuna Sr., and to enlighten our readers on some Pan Afrikan history. Here is Obi Egbuna Jr. in his own words ...

There are hundreds of prisoners who have been falsely validated as members or associates of prison gangs that can viscerally relate to my experience, from living life as an outlaw in society to being prosecuted and convicted to prison, only to be persecuted while in prison, fundamentally for educating oneself by trying to heighten one’s sense of cultural and social awareness.

Word reached The Liberator Magazine that revolutionary Black independent media is about to expand with the impending launch of Block Report Radio Station on the internet. So they sought out its founder, Oakland journalist JR Valrey, to ask him why he devotes his life to independent media and what we can expect from the new Block Report Radio Station.

When discussing the legacy of Martin Luther King Jr., especially his “I Have a Dream Speech,” what is often missed is his concern for global justice, particularly in Africa. While Dr. King’s outspokenness about the Vietnam War toward the end of his life has been well documented and discussed, his views about the need to support anti-colonialism and anti-Apartheid in Africa is less so.

“Afro-Futurism: Envisioning the Year 2070 and Beyond” reflects and builds upon African American history. The art exhibit challenges us to cherish and critique the moment. By placing African Americanism into the year 2070, the artwork and statements visualize a future to look forward to. So how will African Americans/Negroes/Blacks define the world in 2070?