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August Wilson, playwright, was very much at home in the SF Bay. I will never forget his workshop production of “Jitney” at Lorraine Hansberry Theatre, where he encouraged a woman who criticized the absence of substantive women characters in his plays to write her own. Wilson said his journey was personal, yet there was room on the stage for multiple voices and perspectives.
“Black Eagles” by Leslie Lee, directed by L. Peter Callender, currently on stage at African American Shakespeare Company challenges prejudicial notions of courage and patriotism.
The revolution of militant Black theatre lost one of its giants last month on the 20th of February. John Henry Doyle passed into history. A group of John’s coworkers and friends are sponsoring a memorial celebration of his life with a reading of “Freedom Road,” poetry and song on Sunday, April 7, 2-5 p.m., at the original site of his theatre, the Potrero Hill Neighborhood House, 953 DeHaro St., San Francisco.
Quentin Easter was certainly a man whom too many of us will miss, miss for his warm compassionate smile, unruffled presence and positive outlook in the face of tremendous stress and obstacles.