Tag: Grandassa Models

Sunday afternoon, Feb. 23, at the Museum of the African Diaspora in San Francisco was an opportunity to see what Black Joy looks like. While Africans in Oakland were celebrating what makes us a people, in San Francisco, artists, curators and scholars were discussing Kwame Brathwaite’s work in the “Black is Beautiful: The Photography of Kwame Brathwaite” exhibit up through March 1. More than a tangible aesthetic enumerated, Brathwaite’s “Beautiful” is an opportunity to reflect on the many ways through the ages Blackness – while commodified – transgressed and transcended, even morphed into something completely incomprehensible (in that moment) like Charlie Parker’s “Koko“ or Dizzy Gillespie’s “Shaw ‘Nuff” or John Coltrane’s “A Love Supreme.”

The Grandassa Models were the foot soldiers and ambassadors for the Black Is Beautiful Movement. Initially, they were a group of eight Black women of who wore their hair in its natural state and modeled fashion for the world to see “Black Is Beautiful” in a new way. Eldridge Cleaver wrote from San Quentin adulating Black women with natural hair.