Tag: Idris Ackamoor

It is amazing how time flies whether one is moving or standing still. One looks up and sees, suddenly it seems, friends celebrating 70 and 75 or 80 or even 90-plus milestones. Wow! What a blessing that is. And while we also see the fullness of time’s passage in the lives of those who have decided to move on, too often we are caught by surprise, our mouths hung open, the words we could have said … deeds left undone.

The 18th Annual Maafa Commemoration Ritual is Sunday, Oct. 13, 2013, predawn. We meet at Ocean Beach, Fulton at the Great Highway. The ritual is for people of African Descent (Black people from throughout the globe). There are so many great events this month, but not enough space to list them all.

Wanda’s reviews for April include: the Harriet Tubman Underground Railroad National Monument, the “Transformative Visions” exhibition at Studio One, Spirit Silence Retreat, “The Dream Never Dies,” “The Resurrection of SHE,” “Journey of the Shadow,” the 9th Annual CubaCaribe Festival of Dance Music, “The Whipping Man,” “Mental” and many more …

Back when Mumia was a member of the Black Panther Party, he traveled west to work with the Oakland chapter – an important time in his evolution as a radical journalist. Now the story of his life and revolutionary times comes to The New Parkway Theater. Read about it and all of Wanda's Picks for March 2013.

Quentin Easter was certainly a man whom too many of us will miss, miss for his warm compassionate smile, unruffled presence and positive outlook in the face of tremendous stress and obstacles.

Rhodessa, dressed in an orange prison jumper from South Africa (orange the universal prison attire, like a brand), appears with a whip. All the sensations: cold, hard, eerie darkness, unfamiliar sounds, smells, give the audience plenty to contemplate, especially those in the first two rows where the whip spinning in Rhodessa’s hand over our heads, which she then flicks, we feel, too close to our faces as its breeze and the sting of its impact hits the ground again too close for comfort. But this theme – the Black holocaust – is it supposed to be an idea that brings ease?