Tags Marc Bamuthi Joseph
Tag: Marc Bamuthi Joseph
Sunday afternoon, Feb. 23, at the Museum of the African Diaspora in San Francisco was an opportunity to see what Black Joy looks like. While Africans in Oakland were celebrating what makes us a people, in San Francisco, artists, curators and scholars were discussing Kwame Brathwaite’s work in the “Black is Beautiful: The Photography of Kwame Brathwaite” exhibit up through March 1. More than a tangible aesthetic enumerated, Brathwaite’s “Beautiful” is an opportunity to reflect on the many ways through the ages Blackness – while commodified – transgressed and transcended, even morphed into something completely incomprehensible (in that moment) like Charlie Parker’s “Koko“ or Dizzy Gillespie’s “Shaw ‘Nuff” or John Coltrane’s “A Love Supreme.”
Saturday, June 10, The Father’s Day Celebration, a free event for Black fathers and Black male father figures and their families, will give space for a joyous Father’s Day event for the whole community. The Father’s Day Celebration will begin with family portraits, activities for the kids (Barbers, Books and Bridges), a live DJ spinning tunes perfect for the occasion and a keynote speaker, Adimu Madyun. Dining will be available.
We continue our celebration of the fairer sex this month with Amara Tabor-Smith and Ellen Sebastian Chang’s House/Full of Black Women Project: Episode: Black Women Dreaming, a Ritual Rest, March 26-April 7. In this 10th episode of House/Full, perhaps its largest and longest episode, Black women are invited to sleep, stop during the middle of the day or evening and rest, dream. Black women rest least of all people across race, gender and class.
Happy Black History Month. Knowledge is power, something Black people from Frederick Douglass to Sojourner Truth, Rosa Parks to Kamala Harris have never taken for granted. If white people would kill a Black person for teaching someone to read, not to mention knowing how to read – enough said! The Association for the Study of African American Life and History (ASALH), Dr. Carter G. Woodson’s organization, has chosen the theme: “Crisis in Education” for 2017.
On Oct. 9, Chas was featured on the TVOne show Verses and Flow with his poem “Collect Call” about his mother. It’s an emotional editorial on having his family split by the U.S. concentration camp system aka the prison industrial complex’s war on the domestic Black community. This poem is especially timely coming on the heels of the monumental California Prison Hunger Strike of ‘13.
This is the month we wear our Blackness with pride – so walk on, walk on. I want to thank Rhodessa Jones, Shaka Jamal, Pat Jamison, Elaine Lee, Walter Turner, Vera Nobles and Elouise Burrell for your leads and references for South Africa.
October is Maafa Commemoration Month. The term Maafa refers to the Black Holocaust, that period when African people were stolen and traded in the greatest, most widespread cooperative economic venture to date, which resulted in the displacement of human beings as commodities. The Kiswahili term Maafa extends that definition of loss and trauma, that is, PTSD or post-traumatic slave syndrome – the flashbacks, both conscious and unconscious, reoccurring instances of the atrocities 150 years after the end of slavery which have direct association to the brutality of chattel slavery.
Happy Kwanzaa! I will be traveling in Africa over the holidays. I am covering the World Festival of Black Arts and Culture in Dakar, Senegal, and then on to Festival in the Desert in Timbuktu, Mali. My radio show weekly broadcast may feature a surprise live interview from Senegal or Mali if technology serves me well.
Happy New Year, Blessed Eid Al Adha and Happy Kwanzaa. I’ll be back in February 2009. Check the radio show and my blog for updates. I’ll be traveling. Tune in to Wanda’s Picks Radio at www.wandaspicks.com over the next month, when I will be broadcasting from Senegal, Mali and The Gambia.
Maafa 2009 was chillier than usual, but our hearts were certainly no less warmed by the ancestors’ tight embrace as supplicants made their way through the Middle Passage to the Wolosodon rhythms, the slave march through the Doors of No Return to the beach where each person held a piece of string – symbolic of a connection … a philosophical connection to the homeland, family and history.
Our beloved Mother Mary Ann Wright passed last month; she was 87. She was soft-spoken when not in the pulpit or behind her bullhorn holding church at her multiple food giveaway sites. I marveled over this woman who'd done so much to comfort the poor, a woman loved by all who knew her.