Tags Margo Hall
Tag: Margo Hall
Wanda Sabir presents a thoughtful journey considering the effects of the pandemic on our reality, and experiencing through memorial art, theatre, healing arts and poetry the beauty, trauma, wisdom, fight and survival of Black wom(b)en holding the possibilities of the future.
“Jazz,” adapted by Nambi E. Kelley from Toni Morrison’s novel, is a tragic composition. Performed across a series of lyrically connected (woven) tapestries: colors, sounds, fractured memories … missing people, guns (bullets) falling tears, treetops, wild woods, sharecropped promises, fire terror, unclaimed bodies … too many bodies to count … love.
Congratulations to Brothers in Pen for a fantastic book party and reading Oct. 20 at San Quentin State Prison. The work, whether fiction or poetry, creative nonfiction, memoir or dramatic lit, is stellar and the huge panel afterward, where the writers shared their creative process and the importance of art in their lives, was equally valuable and enlightening. That such beauty is possible behind bars is testament to the power of art to light darkness.
It’s all about the ancestors, believe it or not. The invisible realm controls the outer. Those who believe in magic are in touch with reality – a truth, the initiated, those beings open to a creation story they participate in. Life is a collection of unedited stories; the end of a chapter does not mean the end of the book. With that said, the MAAFA Commemoration is upon us once again, celebrating its 23rd anniversary.
I don’t know how Avotcja does it all: host two radio shows, perform with her band Modupue and curate such a phenomenal series of poetry and storytelling events. Yet she does and has for more years than we have fingers and toes. This is why, though I appreciated and loved “Beloved Oakland,” I think two culture workers were left out: Avotcja and Paradise. I would not have excluded any of the awardees; however, to omit Avotcja is like forgetting to bow to the Queen (as in Califa, not Victoria).
Black Panther in a nouveaux peacock chair making deals with the CIA! I am like hold up?! Are you out of your mind? This must be a slapstick thrown in to distract and confuse the audience who do not know their history and who probably believe it’s OK to share secrets with the U.S. government. Like Okoyo, the CIA is all about meddling in international affairs that threaten white supremacy and its economic and military dominance. Wakanda has a seat in the U.N. Council.
Celebrate Dr. Espanola Jackson Day on her birthday, Feb. 9, with the San Francisco Bayview Hunters Point community. We take this opportunity to honor the memory of Espanola as a community leader during Black History Month. For details of the event, which will be held in the Alex Pitcher Room at the Southeast Community Center, go to the Facebook and register your RSVP online with Eventbrite. All are welcome. Spread the word.
In light of increasing monumental weather events, I ask the following question: Can the U.S. military do some good in helping address some of the effects of climate chaos? Yes, I know it’s very strange for me to be considering this, being one who has for so long advocated against giving one single penny to the murderous, fascist and corrupt shock force of U.S. imperialism on this continent and abroad. But, after all, isn’t the U.S. military one of the major instigators of this dangerous temperature rise on our planet?
We pour libations for Fats Domino, New Orleans musical legend, who died Oct. 24. He was 89. The Architect of Rock n’ Roll was the child of Haitian Kreyòl plantation workers and the grandson of an enslaved African. And we also pour libations for Dennis Banks, co-founder of the American Indian Movement (AIM), who made his transition Oct. 30. He was 80. Congratulations to Drs. Vera and Wade Nobles on their 50th wedding anniversary this month.
Marcus Gardley’s “black odyssey,” currently on stage at Cal Shakes in Orinda, translates the Black Holocaust into modern language. Gardley takes an oral history, Homer’s Grecian hero’s tale, then ruptures and reinterprets it so the folks submerged in the waters of confusion gain clarity. Those ancestors at the bottom of the Atlantic Ocean are resurrected in “Ulysses Lincoln” – a hero and a warrior.
Don’t forget the legacy of the Hon. Marcus Mosiah Garvey (Aug. 17, 1887-June 10, 1940) this Black August. There is an annual program at Marcus Books in Oakland, Sunday, Aug. 20, 12:30-3:30 p.m. Happy Birthday to Karla Brundage (8/29), Cousin Jeffery Lewis (8/29), Gene Howell Jr. and to all the ancestors lost in the Great Storm – Katrina (8/29/2005), and to those still swimming home on rafts and other flotilla. Follow the light.
Each year, it is important to revisit this historic classic speech by the powerful orator, Frederick Douglass, delivered in 1852, stating, “This Fourth of July is yours, not mine. … You may rejoice, I must mourn.” Listen to James Earl Jones reading the speech. In the San Francisco Bay Area, Michael Lange and James Brooks with Angela Wellman’s Oakland Public Conservatory would perform the work with jazz artists.
The 50th Anniversary of the Black Panther Party Conference, Oct. 20-23, held at the Oakland Museum of California and in Bobby Hutton Grove at deFremery Park, was a huge success. To see the Vanguards of the Revolution saluted in such elegant surroundings at the banquet Saturday evening was certainly a fitting tribute to the legacy their lives concretely represent. Hats off to the committee that organized the conference.
August Wilson is considered one of America’s greatest playwrights, and the work that comprises The American Century Cycle, one of the outstanding achievements of the modern theater, is performed across the globe. But only Oakland’s premiere North American African theater company has performed the entire Cycle in chronological order. The Lower Bottom Playaz close the cycle with the timely production of the only play in the cycle that is told from the lens of developers. Wilson’s Hill District in Pittsburgh, Penn., and Oakland, Calif., 2015 hold a lot of common ground. “Radio Golf” continues through Sunday, Jan. 3, 2016, 2 p.m., at the Flight Deck, 1540 Broadway, Oakland.
The Glide Memorial Church family worked wonders at the celebration of San Francisco native Maya Angelou's life that she requested before she died. They juxtaposed carefully chosen visual moments with prerecorded Maya moments, which made her presence so palatable that the sanctuary lights came under the control of Spirit Maya and played with our collective vision – the room almost dark and the lights flickering off and on.
I was armed when I entered the darkened studio room on Yosemite in San Francisco’s Bayview District where Zaccho Dance Theatre resides. When I opened the black curtain and stepped into the darkened room, I stood still for a moment to let my eyes adjust and noticed chairs where a few patrons sat. I decided to wander through the huge open space.
Gina M. Paige explained that the organization, African Ancestry, started with Dr. Rick Kittles, genetic researcher at Howard University who was interested in isolating the gene that caused prostate cancer, one of the leading causes of death in our community. He found this research methodology applicable in other genetic detective research and so in 2003 African Ancestry was founded with Ms. Paige.
Congratulations to my nephew Wilfred Batin, 9 years old, who was one of two honor roll students from Rosa Parks Elementary School honored this year at City Hall. Happy Mother’s Day to all the women who deserve more than a day to honor them. Congratulations to all the college graduates!
Back when Mumia was a member of the Black Panther Party, he traveled west to work with the Oakland chapter – an important time in his evolution as a radical journalist. Now the story of his life and revolutionary times comes to The New Parkway Theater. Read about it and all of Wanda's Picks for March 2013.
The parody currently on stage at American Conservatory Theater, “The Scottsboro Boys,” staged by director-choreographer Susan Stroman (“The Producers”), through July 22, 2012, takes a historic tragedy in American history and recasts it as buffoonery. Black America should not be surprised. Classic guilt is always re-envisioned in this paradigm. The boogeyman is always Black and male.
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