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The violent Separation Nation didn’t begin with this generation --- with these babies --- or their incarceration --- The Separation Nation began with the theft of Turtle Island --- and the humans who lived here and thrived on it. As we grieve, show up, demand and scream for the freedom of these incarcerated babies, please don’t get confused by the blur of this present genocidal history. Take a refresher course with me through the violent herstories that built this stolen land – and continue to assist in the realization and manifestation of the most important aspects of what I call the Separation Nation.
Incarcerated firefighters save bureaucrats in California millions of dollars every year by performing the various odd jobs that nobody else wants to do. On Friday, Jan. 12, 2018, two crews from Oak Glen Conservation Camp were sent to clean up the mudslides that wreaked havoc in the affluent neighborhoods of Montecito. Inmate crews were not forewarned of any hazards posed by the mud as they were deployed for one week.
Nobody did London Breed any favors at Tuesday’s board meeting. Not the supervisors who swept her out of the mayor’s office that had been given to her by the city charter and not Ron Conway and the big money boys whose overly aggressive support was the screen the supervisors hid their racism behind. So London heads into the June election owing nothing to anybody, only the people of San Francisco, including the most needy. We can win it and we will! Join us soon at the London Breed for Mayor campaign headquarters. Endorse London on her website, www.londonformayor.com, and contact her campaign by email at firstname.lastname@example.org and phone at 415-LONDON1.
Dimensions Dance Theatre presents its annual youth showcase, “The Village Matters,” on Sunday, May 7. Participants include Rites of Passage, Dimensions Extensions, LIKHA School of Philippine Dance, On Demand, BAY-Peace, Oakland Technical High School, Oakland High School, Bret Harte Middle School and Kipp Bridge Academy. The program also features guest artists Destiny Muhammad, “Harpist from the Hood,” and Batalá San Francisco.
It is very important that you all clearly understand the depth of human torture to which I was subjected for 30-plus years by CDCr and CCPOA.* The torture was directed at me and similarly situated women and men prisoners held in California’s solitary confinement locations throughout CDCr, with the approval and sanctioning of California governors, CDCr secretaries and directors, attorneys general, along with the California Legislature for the past 40 years.
This Maafa Commemoration Month we continue to lift “A Love Supreme” as we organize a defense against state violence. Congratulations to Professor Aaliyah Dunn-Salahuddin, whose community vigil and program honored the lives of the Bayview Hunters Point revolutionaries killed 50 years ago when the community rose up after SFPD killed Matthew “Peanut” Johnson and more recently when the community turned out after SFPD killed Mario Woods.
I’ve finally seen “Selma” and can report it is a proper civil rights movie. By that I mean it takes few chances either thematically or aesthetically. The icons remain intact and the movement free from revisionist recriminations. This cautious strategy is understandable in a risk-averse Hollywood. Although boxed in by those kinds of commercial expectations, “Selma” delivers even more than it should.
"Selma" gives a window into the turbulent three-month voting rights campaign, a series of pivotal protest marches in 1965 that culminated with President Johnson signing the Voting Rights Act of 1965. The movie offers a lens into King and imperiled activists’ attempts to travel a 54-mile highway from Selma to the Alabama state capital, Montgomery, in the face of blatant racism, brutality and de facto segregation.
Happy New Year! Happy Birthday to my granddaughter Brianna, niece Wilda and friend Fred T. I am still smiling about America’s new relationship with Cuba and the freed Cuban 5. If you are in New Orleans (NOLA), don’t miss “Prospect 3: Notes for Now,” the biennial there being celebrated throughout the city through Jan. 25.
Of all the hundreds of police murders of young Black men in recent years, the two that sparked the strongest resistance and the largest rebellions were the BART police murder of Oscar Grant in Oakland on New Year’s Day, 2009, and now the Ferguson, Missouri, police murder of Michael Brown on Aug. 9, 2014. Today we’re going to Ferguson, Missouri, to check in with the uncle of Oscar Grant, Cephus “Uncle Bobby” Johnson. Uncle Bobby is live on the ground in Ferguson.
This year at the SF Indiefest’s 13th Anual Docfest, June 5-19, at multiple venues on both sides of the Bay, quite a number of films look at sexual exploitation of youth, crimes of poverty and profiles of superheroes – ordinary citizens with tenacity and inner fortitude and great love for their community, like the Honorable Michael Tubbs, central character in Kevin Gordon’s “True Son.”
Last week, rather than allow Marcus Books family members to relocate after evicting them, the Sweis family stole all of the books and used sledge hammers to smash the book shelves and furniture. To the Black community, this is a repeat of history, where invaders come in time and time again to smash the symbols and evidence of a people’s greatness. This will NOT be tolerated. Will you stand with us and DEMAND the Sweises respect our history? We need to pressure the Sweises to do the decent thing.
“The Black Arts Movement and Its Influences” conference will be going down with a host of legendary Black artists who have contributed to the liberation of our minds over the last 50 years. People like Askia Toure, Umar Bin Hasan of the Last Poets, Emory Douglas, the Minister of Culture of the Black Panther Party, Avotcja, Ayodele Nzinga, Ras Baraka and Ishmael Reed, to name a few, will be participating.
I am recovering from a huge blow – my computer was taken along with other personal irreplaceable items. We stopped by Loon Point to visit the shore before driving back to the San Francisco Bay Area Jan. 30. It was early, we’d just finished our first session of the Winter Quarter. We left our luggage in view in our cohort’s car. In Oakland, we’d not have done that, but somehow the seashore, mountains and quiet terrain deceptively seduced us.
On the 20th anniversary of the demise of my father, Fred Ali Batin Sr., the 18th anniversary of the Maafa Commemoration San Francisco Bay Area – the Ritual Sunday is Oct. 13, 2013; see http://maafasfbayarea.com/ – and approximately the 60th day of the hunger strike to end the inhuman conditions in California’s Security Housing Units or SHUs, I just want to pause and reflect.
We need more business owners working from their apartments, vans or cars, vacant lots, and boarded up shops and storefronts. Keep in mind on your journey down the entrepreneur road, that wealth originates from within, first. To gain access to cash, sometimes you have to look to untraditional sources online which give artists and entrepreneurs a helping hand.
With the storm approaching New Orleans, I spoke to Dwight Henry, co-star in the film, “Beasts of a Southern Wild,” currently in Bay Area theaters. I spoke to three men who are riding the storm out: Parnell Herbert, Angola 3 activist and playwright, Mwalimu Johnson, community organizer and prison abolitionist, and Malik Rahim, former Black Panther.
New Orleans has become a national laboratory for government reforms. But the process through which those experiments have been carried out rarely has been transparent or democratic. The results have been divisive, pitting new residents against those who grew up here, rich against poor, and white against Black.
In an historic verdict with national implications, five New Orleans police officers were convicted on Friday of civil rights violations for killing unarmed African Americans in the aftermath of Hurricane Katrina and could face life in prison when sentenced later this year.
This June 19, millions of Americans, particularly African Americans, will celebrate Juneteenth. Yet slavery’s abolishment, under the 13th Amendment, didn’t really end slavery, as many people believe. The 13th Amendment merely codified America’s “peculiar institution” under penal statutes.
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