One of author Dr. Gerald Horne’s latest volumes is “Paul Robeson: The Artist as Revolutionary.” I recently walked into the Parkdale Library in Toronto and saw a huge poster celebrating the great Robeson. Robeson, actor, athlete, political activist and one of the greatest singers of all time, would have been 120 years old today, April 9. Thousands of words have been written about Robeson’s interpretation of Jerome Kern’s song, “Old Man River,” but little has been mentioned about his participation in a unique musical collaboration.
Actor Dameion Brown, playing the title role in the Marin Shakespeare Company’s production of “Othello,” is getting standing ovations since the production started. Still in previews, Brown has with this role seen a dream come true. Since the MSC production of “Othello” opened Aug. 26 for previews, we learn that Brown is a formerly incarcerated or convicted person (FICP), just released after serving 23 years of a life sentence.
“Emmitt Till” does more than call attention to how Till’s death ignited the U.S. Civil Rights Movement in the ‘50s and ‘60s. It points to the quiet heroism of Mamie Till Mobley in the face of unspeakable horror and unrelieved terrorism. Come see this dynamic and inspirational play by Tavia Percia and the Tavia Percia Theatre Company: Saturday, Feb. 1, 7 and 9 p.m., and Sunday, Feb. 2, 3 and 5 p.m., at the Eastside Arts Alliance, 2277 International Blvd, Oakland.
October is Maafa Commemoration Month. The term Maafa refers to the Black Holocaust, that period when African people were stolen and traded in the greatest, most widespread cooperative economic venture to date, which resulted in the displacement of human beings as commodities. The Kiswahili term Maafa extends that definition of loss and trauma, that is, PTSD or post-traumatic slave syndrome – the flashbacks, both conscious and unconscious, reoccurring instances of the atrocities 150 years after the end of slavery which have direct association to the brutality of chattel slavery.