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The best African centered holiday play in the nation, “Go Tell It!,” the story of the freedom fighter Harriet Tubman told through spirituals, will be showing at the Live Oak Theater, 1301 Shattuck Ave. in Berkeley, on Saturday, Dec. 6, at 7 p.m. and on Sunday, Dec. 7, at 3 p.m. Instead of celebrating capitalism during the holidays, “Go Tell It!” is a way that we can remember our ancestors, how far we have come as a people, as well as the leaders, the tactics and the situations that got us here. “Go Tell It!” makes you want to learn more about your ancestors’ history, no matter who you are.
Maafa 2014 - The waves were as tall as mountains or perhaps redwood trees –their gigantic footprints in the sand left many pilgrims flat on their backs wet from head to toe. In 19 years, I’d never seen waves as tall as those that Sunday morning. Many thanks to all who came and made the commemoration a huge success. It was great to have co-founder, Minister Donald Paul Miller, back in the circle.
In the late ‘60s and early ‘70s, the Black Panther Party and the Young Lords totally transformed the psychology of people in the United States with their survival programs, their muti-layered platforms, their fight for human rights against capitalism and imperialism, and their armed self-defense against the police. On Oct. 24, “Party People,” a play developed and directed by Liesl Tommy, premiered at the Berkeley Repertory Theater.
The award winning play, “The Mountaintop,” looks at the everyday divinity of ordinary folks and places Martin King right there with them. His greatness is not a greatness which is inaccessible or isolated. In the Lorraine Motel that night, King listens and even agrees at some point with the young maid, Camae, a Malcolm X radical in an apron.
A now famous quote from Ernesto Che Guevara says, “At the risk of sounding ridiculous, the true revolutionary is guided by great feelings of love.” The legacy of the Black Panther Party for Self-Defense has proven this repeatedly, even though the city in which the party was born continues to shower those who struggle within her boundaries with the most heinous disrespect.
I didn’t know what to expect and was pleasantly surprised when Esperanza Spalding, the singer-musician, treated her audiences to a socially conscious tour of America with stops at the doors of the prison industrial complex and Mother Nature. The evening moved fluidly from a fireside chat on relationships and love to the concluding number, which spoke to Spalding’s philosophy.