We need to concentrate and blend the various strains of the Afrikan experience and our adaptations to the Diaspora and cross-cultural and economic exchange into a Pan Afrikan culture and consciousness and productive relations that are rooted in proletarian intercommunalism, internationalism and humanism.
On this 50th anniversary of the Black Panthers’ Free Breakfast Program, let us meditate on the incredible legacy of the original Black Panther Party. Although this is a plea for help and a call to action, this piece is also a dedication.
“While the environment has changed from one of total abandonment and neglect to one of gentrification, the impacts upon the community are very similar.”
“Lalo’s House” is the story of human trafficking in Haiti, which is the favorite playground of Jeffrey Epstein’s bestie, former U.S. President Bill Clinton.
“Unalienable Rights” by filmmaker Froi Cuesta tells the story of the 1978 MOVE confrontation with the Philly police and all of the local politics surrounding it.
Jamaal Bradley, an industry giant, is the former supervising animator at Dreamworks and has worked at various studios, including Walt Disney Animation, Sony Pictures Imageworks and Electronic Arts. He has been a senior animator on several Oscar-nominated films.
“Good Kidd,"directed by Oakland native Jamari Perry, is a coming of age story that most young Black men from impoverished, drug ridden environments call their lives.
This year’s 21st annual San Francisco Black Film Festival was an elegant and epic occasion. Filmmakers from Sao Paulo, Brazil, Durban, South Africa, London, England Atlanta, Arizona, Macon, New York, Kansas, Los Angeles, as well as the Bay Area and more convened on Northern California’s most international city to look at recent films.
Two legendary thespians from Hunters Point and Fillmore, Ben Guillory and Danny Glover, are coming home with a film about their lives in theater. This is our story, and it is better to get history from the mouths of the people who made it.
The opening film for the San Francisco Black Film Festival this year is the much anticipated award winning “Guitar Man.” The main character, Buzzy Martin, taught music to prisoners at San Quentin and later took those experiences back to the at-risk youth that he taught and still teaches to this day.
As I was preparing my sculptures for the opening of the biennale, I documented life in the ghetto for myself, and then expanded on it by interviewing multiple Haitian artists – those notable and prosperous, those successful but still poor – in my mission to fathom what sustains them despite the daily hardships of life in Port au Prince.
“Belonging in the USA: The Story of Michael D. McCarty” is the story of a Black man who fought on the side of the people, right alongside one of the most legendary leaders to organize and make Panther rhetoric practical, and Michael lived to be able to talk about it.
“In Haiti, more than 750 privately run and unregulated institutions host an estimated 30,000 children, of which 80 percent are not orphans. In these unregulated conditions, children can be more susceptible to trafficking and other forms of physical and sexual abuse.”
“Birth of Afrobeat” is a masterfully configured story about the Pan African music genre that was born in Lagos but of parents from Nigeria and the U.S., since Max Roach, James Brown and the Black Panthers also had an influence on its birth.
Philly police commenced to tear-gassing the [MOVE] house, shooting up the house, bulldozing the house with people and animals in it, then flooding the house with a fireman’s water hose. Then a cop gets shot, which many believe was from friendly fire.
The 15-minute political satirical comedy, “The United States of Paranoia,” by writer and director Rashan Castro is one of the crown jewels of the San Francisco Black Film Festival this year. Halfway through and thousands of police shootings and racial attacks into the Trump presidency, this film could not have picked a more relevant time to debut.
“Kevin Epps is an intellectual and a San Francisco treasure. And the words that come to mind when I think of him is that he is very meek. He is humble."
At the hearing, the judge stated that the indictment was sealed and that she was refusing to grant Kevin Epps bail on the grounds that “he was a danger to the community” even though well over 60 letters of support flooded into the court from upstanding and important figures from here and all over the nation who defended Epps’ reputation and community track record.
The Chauncey Bailey Project was never about honoring and continuing the work of the late journalist Chauncey Wendell Bailey Jr. and answering questions regarding his death, as it claims on its website. The project and the Oakland police seem to have more of a lynch mob mentality in their investigation.
He stressed the need for people to buy property collectively and develop plans that would work as safety nets when people can’t afford to pay their mortgages.