Painted in 1987, the lavish mural that adorns the building on the northeast corner of Third and Palou, Bayview Hunters Point’s main intersection, is named “Tuzuri Watu,” which means “We are beautiful people” in Swahili, and it features a who’s who of celebrated African American figures.
Since its inception in 1969, the Saint John Coltrane African Orthodox Church (SJCAOC) has been dedicated to the spiritual artistry of its namesake, the great American jazz musician and composer, whose instrument was the saxophone.
Teri Williams, owner of OneUnited Bank, the largest Black-owned bank in America, and author of “I Got Bank,” encourages young folks to enter this year’s contest.
Jamaal Bradley, an industry giant, is the former supervising animator at Dreamworks and has worked at various studios, including Walt Disney Animation, Sony Pictures Imageworks and Electronic Arts. He has been a senior animator on several Oscar-nominated films.
This year’s 21st annual San Francisco Black Film Festival was an elegant and epic occasion. Filmmakers from Sao Paulo, Brazil, Durban, South Africa, London, England Atlanta, Arizona, Macon, New York, Kansas, Los Angeles, as well as the Bay Area and more convened on Northern California’s most international city to look at recent films.
Ebony Iman Dallas is featured artist at Joyce Gordon Gallery’s iteration for June 2019, Year of the Woman. exhibiting “Through Abahay’s Eyes” (“Through My Father’s Eyes”), which is up through June 30, tracing her homecoming to Somaliland. Artist talk is 7-9 p.m., at Joyce Gordon Gallery, 406 14th St., Oakland.
“Greatness is born out of the grind. Embrace the grind,” said Robert F. Smith, the billionaire technology investor, in his speech to the 2019 graduating class at Morehouse University on May 20, 2019, announcing he is paying off the student loans of 396 Morehouse graduates.
Johnson is an important chronicler of African American life in San Francisco during the mid-20th century.
Reid’s Records is not closed – but it needs your business and support NOW! Otherwise, the iconic and beloved Reid’s Records, one of the few Black business remaining in Berkeley, will be closing it doors Oct. 19, after 75 years of serving South Berkeley’s and the Bay Area’s Black communities since 1945!
Two legendary thespians from Hunters Point and Fillmore, Ben Guillory and Danny Glover, are coming home with a film about their lives in theater. This is our story, and it is better to get history from the mouths of the people who made it.
The opening film for the San Francisco Black Film Festival this year is the much anticipated award winning “Guitar Man.” The main character, Buzzy Martin, taught music to prisoners at San Quentin and later took those experiences back to the at-risk youth that he taught and still teaches to this day.
As I was preparing my sculptures for the opening of the biennale, I documented life in the ghetto for myself, and then expanded on it by interviewing multiple Haitian artists – those notable and prosperous, those successful but still poor – in my mission to fathom what sustains them despite the daily hardships of life in Port au Prince.
As if white people didn’t have enough privileges – for instance, never having to justify that you belong, like getting lost in an upscale neighborhood and not having the cops called on you and never experiencing being profiled by the cops for driving a certain kind of a car they think is out of your price range.
Thousands of people are losing their lives and livelihoods around our planet – from Mozambique to Missouri – due to intense storms, record wind speeds and massive flooding in areas that should not have been developed and other catastrophes caused by the corporate-for-profit-accelerated climate chaos.
“Belonging in the USA: The Story of Michael D. McCarty” is the story of a Black man who fought on the side of the people, right alongside one of the most legendary leaders to organize and make Panther rhetoric practical, and Michael lived to be able to talk about it.