Culture Currents

“No Lye: An American Beauty Story” is one of the best documentaries on Black history this year. It gives a definitive history of the Black hair care industry and how it paralleled Black political movements. It presents historical accounts of early Black entrepreneurs who were pioneers in the Black cosmetics trade, the Black press and who created a lobbying group in Washington.

Rebellions, protests and racial tension have consumed the COVID-19 summer of 2020 following the police executions of Breonna Taylor and George Floyd. The San Francisco Black Film Festival (SFBFF.org) film selection “American Dream” presents a relevant 19-minute short by French born filmmakers Nicolas Polixene and Sylvain Loubet dit Gajol.

“The Council,” by Ryda for Life Films, tells a story of civil social unrest in the Black community today. Set in South Central Los Angeles, it begins with the typical gangsta movie energy, but beneath the surface is a radical politicized element.

Even after California’s shelter-in-place is lifted, it will still be some time before musicians can once again get full-time work. It’s a fact that musicians are mostly hired to play for large gatherings, and because they don’t know how long social distancing will last, they are most likely to be last on the list in terms of resuming their normal workload.

To deny with a lie. To not take responsibility. To want to be chosen and resentful when we are not. We as a people today must ask ourselves whether we want to be like Cain, i.e. whether we are willing to let our brother suffer and die because we believe in that moment that we would benefit.

If you missed the June 28 Afrosurrealist Writers event with guest moderator Brent Lambert of FIYAH Literary Magazine, have no fear. The entire Zoom event was recorded via a YouTube Live Feed and can be viewed online.

Open Letter to: Killer Mike, Cardi B, Kanye, Jay-Z, P-Diddy, Ludacris, 50 Cent and others: Greetings and solidarity to each of you. In recognition of your individual voice, influence and cultural following among current generations of Black people – Africans in the Diaspora and on the continent – we salute you.

I was startled momentarily while driving down International and 87th Ave as I noticed a mural being drawn on the opposite side of the block from the East Bay Dragons Motorcycle Clubhouse. The faces of Marcus Garvey, Huey P. Newton, Malcolm X and others were being painted back to life.

We are losing so many loved ones this year. Beloved heroes like Rep. John Lewis and his friend and mentor Rev. C.T. Vivian and Rev. Joseph Lowery, dean of the Civil Rights Movement. Here in Oakland, we lost Wonder Woman Denise Adele Gums (Oct. 26, 1953-July 22, 2020).

May our Divine Mother-Father Creator of and in All – and beloved Ancients and Ancestors from past millennia, yesteryears and, literally, yesterday – find you and (y)our extended Family healthy and staying spirited during this dangerous worldwide pandemic, global imperialist monopoly capitalist economic devastation, and ongoing European and american “white” state and vigilante terrorism. WE offer our sacred-most thoughts for the healing of our dear editor, Elder Mary Ratcliff. Get well, Mama Mary! Asé.

It is with deep pain and distraught heartbreak the San Francisco Black Film Festival announces the death of its Director Kali O’Ray on Friday August 7, 2020, after a short battle with heart disease. The previous announcement that his death was related to COVID-19 was mistaken, and we apologize for the error. Festival organizers ask the public’s forbearance as O’Ray’s wife and co-director, Katera Crossley, and family plan details around observances for his untimely passing.

After a lifetime of creating art while homeless or incarcerated, on Aug. 7, Ronnie Lamont Goodman was found dead in his tent outside the Redstone Building in San Francisco’s Mission District, where he intermittently stayed and stored his drawings and illustrations. He was 60.

“Boom bop sha bam sha-diddle-lee bop!” “This music came down biblically!” said legendary pianist Earl “Fatha” Hines about jazz music. “It was a natural evolution of Black culture,” said all time great trumpet player Dizzy Gillespie, about Bebop.

A firearm can be used as both a tool and a weapon. Being Black in America should already make you want to own a gun for protection. If you’re Black, female, and/or short, I think it’s even more necessary to learn how to safely use a gun.

We have left no legacy behind in the Fillmore. I’m telling you that in 10 to 15 years the only way you’re going to know that this part of San Francisco used to be Black is by looking at the bricks, or by the tour guides on buses that tell you, “This used to be the great jazz district.”

HAPPY BIRTHDAY! to Ms. Verlie Mae Pickens, who is well known and a leader in the Bayview community, celebrated her 104th birthday on June 11, 2020. The COVID-19 forced postponement of the yearly celebration of her birthday, normally a large festive party and dinner to honor Ms. Pickens.

The wave of strikes by athletes against racist police violence is not ebbing. On Thursday night, the New York Mets and Miami Marlins took the field, held a 42-second moment of silence (in honor of Jackie Robinson), and then walked off. They left behind a shirt that read “Black Lives Matter” on home plate.

Another star shines in the night sky. Ronnie Goodman passed away in early August this year. He died on the street, just after his 60th birthday, on the same corner where he’d been living for more than a year. We stood around waiting for the medical examiner to come and take him. The cops had put a sheet over him.

Racial violence against Black America is a regular part of America’s history; hiding and denying this racial violence is also a part of America’s history. For decades, African Americans have complained about police brutality. White America dismissed them or paid little attention and this denial allowed White America to feel innocent.

Oakland in the ‘80s and ‘90s blessed us with the likes of Tony, Toni, Tone, young MC Hammer, Digital Underground, Too Short and Dawn Robinson of En Vogue, just to name a few, at a time when there were only a few home studios. Joe Capers, aka Blind Joe, a blind musician and producer, was one of the creators of the sounds of the Oakland music scene in the 1980s and early 1990s.